| Nashriyot | Ўзбек миллий мусиқа санъати институти |
|---|---|
| Shahar | Toshkent |
| ISSN | 3060-5490 |
| Boshqa yozuvda | Milliy madaniyat |
| Nashr tillari | Ingliz, O‘zbek, Qoraqalpoq, Rus |
| Nashr davriyligi | quarterly publication format in order t |
| Ilmiy sohalari | San’atshunoslik |
| OAK ixtisoslik kodi | 17.00.00 (Санъатшунослик фанлари) |
| OAK qarori | №382/5, 5 март 2026 |
| Jurnal turi | Миллий |
| OAK holati | Ro‘yxatda |
| Maqolalar indeksda | 84 (2025–2026) |
| Indekslash | Crossref, Index Copernicus, Google Scholar |
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Миллий маданият — rasmiy sayti
This article examines music as a fundamental cultural and psychological phenomenon that has accompanied humanity since ancient times. The study analyzes the origins of music from an anthropological and…
This study examines in detail the role, significance, and practical possibilities of modern notation editors in the art of composition. As a result of the development of digital technologies, notation software has…
This article examines the artistic world of composer Igor Pinkhasov as a case of contemporary polystylistic thinking shaped by a sustained dialogue between Eastern maqom traditions and Western popular music, with The…
The article considers maqom as a structurally coherent yet dynamic model of musical thinking, relevant to contemporary compositional practice and music education. The aim of the study is to demonstrate how maqom, formed…
The article examines the experience of the “socialization” of Eastern maqāmāt in the 20th–early 21st centuries, using Shashmaqom as a case study and focusing on institutional mechanisms that ensured its preservation and…
Piano performance in Uzbekistan occupies a special place in the country’s musical culture, reflecting the richness of national traditions while simultaneously integrating the achievements of world classical music. The…
The article examines the evolution of Uzbek traditional musical instruments from their ancient forms to modern technologies. The Uzbek musical tradition, formed at the crossroads of Eastern cultures, is presented as an…
This article explores the theoretical, methodological, and practical dimensions of improvisation in piano performance. Improvisation is interpreted as a process that activates musical thinking, fosters creative…
The article presents an in-depth analysis of the crisis of identity and quality in contemporary Uzbek estrada music. The author traces the genre’s evolution from its origins in the early 20th century to the…
The article provides an in-depth exploration of the Ustoz–Shogird (Master–Apprentice) tradition as a cornerstone of Uzbekistan’s musical culture, particularly within the context of Maqam performance. This ancient…
This article discusses the features of synthesizing various musical forms and genres, the importance of enriching national musical culture, and the significance of applying an innovative approach to solving creative…
The article is devoted to the scientific and public activities of Doctor of Arts, Professor, Honoured Scientist of Uzbekistan Faizulla Karomatli (Karomatov) (1925–2014). It reveals the main directions of his research…
This article examines the aesthetic and methodological significance of the art of maqom in the system of professional training for future composers. As one of the most profound and multi-layered forms of Uzbek musical…
This article provides detailed information on the types, forms, and local characteristics of doyra usuls in the performance practice of Uzbek maqom art. In particular, the Bukhara Shashmaqom series includes Sarakhbor…
This article examines the contribution of Viktor Alexandrovich Uspensky (1879–1949) to the development of musical culture in Central Asia. Particular attention is given to his activity as both an ethnographer and a…
This article is devoted to the phenomenon of opera as a unique form of synthetic art, in which music, theater, poetry, dramatic action, and the power of the human voice are harmoniously combined. The author examines the…
The article examines the role of Komil Khorezmi in the history of Uzbek musical culture at the turn of the nineteenth and twentieth centuries. It analyzes his activities as a composer, musicologist, and educator…
This article presents an analysis of the contemporary composition Music for Oboe and Percussion (2012) by the young Uzbek composer Nurali Erkaev. The focus is on identifying the maqom-based principle of khona-bozguy…
This article examines the formation and development of variety (estrada) art in Uzbekistan, highlighting its historical foundations, cultural background, and contemporary progress. Since ancient times, the art of…
This paper introduces an international research project which pioneers new forms of collaborative research and creativity. The project brings together researchers and musicians from across the maqām world to work across…
The article examines the application of traditional maqom principles in the composition “Reflections of the East” by Alim Mullaev, particularly focusing on the maqom Iroq. The study covers the key elements of maqom…
This аrticle explores the creаtive principles of composition аnd music writing, highlighting their importаnce in the nаtionаl musicаl culture. It аnаlyzes modern compositionаl techniques аnd styles of musicаl thinking…
The article examines a key element in the training of professional oral music performers – mastering the aruz versification system, which originated in Arabic poetry and was further developed in the Persian and Turkic…
This article discusses the technical and cultural challenges of sampling traditional musical instruments. It emphasizes that preserving authenticity requires multi-layered recording, fine-tuning, and the involvement of…
Mazkur maqola klassik Shashmaqom siklining «Nasr» bo‘limidagi ritmik tuzilmani tahlil qilishga bag‘ishlangan bo‘lib, unda aruz she’riy vazni bilan musiqiy ritm o‘rtasidagi o‘zaro bog‘liqlik yoritiladi. Tarixiy va…
This article proposes to re-orient the study of music theory in Uzbek maqom from systematising models to a more dynamic, collaborative approach that draws on compositional creativity. While maqām-based traditions have…
This article explores the historical evolution and contemporary development of the Uzbek compositional school, with a particular focus on its integration into choral music and intercultural collaborations with Arab…
The article is devoted to the original phenomenon of the traditional musical culture of the peoples of Central Asia — mustazod. The poetic and musical genre of mustazod in Tajik and Uzbek traditional musical practice is…
This article explores the integration of the aruz metric system into the modern solfeggio curriculum within Uzbek music education. Aruz, a quantitative system of poetic meter based on the alternation of long and short…
The article considers composing creativity as one of the factors in the evolutionary development of traditional professional music by Shashmaqоm. Composing in different historical epochs has been a driving, renewing…
This study addresses a critical gap in the scholarly understanding of dutar performance technique—specifically the functional use and notation of the right-hand fingers in sound production. Although a number of…
Maqom creativity represents a unique synthesis of tradition and innovation within Central Asian musical culture. This study investigates how modern composers and traditional bastakor masters navigate the evolving…
This article examines the evolution and transformation of the Uzbek national school of composition, with a focus on its institutional and stylistic developments in the 21st century. Drawing on the pedagogical practices…
The multifaceted talent of Ahmad Makhdum Donish (1827-1897) wasexpressed not only in the field of fine arts, he first wrote a treatise on “Shashmaqom”.And he himself found himself at the center of this society, since…
This article focuses on the chamber instrumental composition "Aks Sado" by the Uzbek composer - Jakhongir Shukur, using the example of which such basic categories of musical language as texture and time are studied. The…
In the context of large-scale political, social, and cultural reforms in Uzbekistan, special attention has been paid to the revitalization of national art, particularly the musical heritage of maqom. Over the past five…
Uzbek traditional vocal art represents a complex and multifaceted musical form that demands exceptional technical and physiological preparation. Beyond natural talent, vocalists require rigorous daily practice to…
The article considers composing creativity as one of the factors in the evolutionary development of traditional professional music by Shashmaqоm. Composing in different historical epochs has been a driving, renewing…