This article is devoted to the phenomenon of opera as a unique form of synthetic art, in which music, theater, poetry, dramatic action, and the power of the human voice are harmoniously combined. The author examines the origins and historical significance of the operatic genre, tracing its role in the cultural development of humanity, while also emphasizing the profound emotional impact that opera has on audiences. Particular attention is given to the unique power of live performance: the unamplified voice of an opera singer, accompanied by a full orchestra, has the ability to penetrate deeply into the human soul and evoke incomparable feelings. The text also explores how opera broadens the horizons of personal perception, fostering empathy, emotional depth, and reflection, while shaping cultural taste and enriching the individual’s spiritual world. It is emphasized that attending at least one opera performance in one’s lifetime constitutes not merely an introduction to the genre but also a powerful spiritual experience. Such an encounter has the potential to transform one’s perception of art and to offer a sense of connection to timeless human values, thereby highlighting opera’s enduring relevance in the modern world.
| Mualliflar | Саёдахон Нартаджиева |
|---|---|
| Jurnal | Миллий маданият |
| Nashr sanasi | 2025-08-31 |
| Jild | 1 |
| Son | 4 |
| Betlar | 25-31 |
| DOI | 10.64681/49rxtw89 |
DOI: 10.64681/49rxtw89 · Maqolaning asl sahifasi · PDF
Maqom creativity represents a unique synthesis of tradition and innovation within Central Asian musical culture. This study investigates how modern composers and traditional bastakor masters navigate the evolving…
The article examines the role of Komil Khorezmi in the history of Uzbek musical culture at the turn of the nineteenth and twentieth centuries. It analyzes his activities as a composer, musicologist, and educator…
This article examines the aesthetic, dramaturgical, and philosophical features of Satyajit Ray’s directorial art, which occupies an important place in the history of Indian and world cinema. The relevance of the study…
The article examines the application of traditional maqom principles in the composition “Reflections of the East” by Alim Mullaev, particularly focusing on the maqom Iroq. The study covers the key elements of maqom…
The article considers composing creativity as one of the factors in the evolutionary development of traditional professional music by Shashmaqоm. Composing in different historical epochs has been a driving, renewing…
The article examines the evolution of Uzbek traditional musical instruments from their ancient forms to modern technologies. The Uzbek musical tradition, formed at the crossroads of Eastern cultures, is presented as an…
This article examines the specific features of folk music pedagogy within the system of contemporary higher music education. It explores the theoretical foundations of the ethnopedagogical approach and the significance…
This article examines the contribution of Viktor Alexandrovich Uspensky (1879–1949) to the development of musical culture in Central Asia. Particular attention is given to his activity as both an ethnographer and a…
This paper introduces an international research project which pioneers new forms of collaborative research and creativity. The project brings together researchers and musicians from across the maqām world to work across…
This article presents an analysis of the contemporary composition Music for Oboe and Percussion (2012) by the young Uzbek composer Nurali Erkaev. The focus is on identifying the maqom-based principle of khona-bozguy…