The article examines the role of Komil Khorezmi in the history of Uzbek musical culture at the turn of the nineteenth and twentieth centuries. It analyzes his activities as a composer, musicologist, and educator, particularly his establishment of the musical notation system known as the “tanbur notation.” This method is presented as a unique phenomenon of its time and an important source for recording the Khorezm maqoms and transmitting them to future generations. The article highlights Khorezmi’s significance in the cultural environment of Khiva, his literary, calligraphic, translational, and administrative legacy, as well as the interconnection of his scholarly and creative work with the ideas of enlightenment. Special attention is given to his work “Divan-i Komil”, his innovations in the maqom system, and his educational initiatives, including the establishment of the Russo-native school. Khorezmi’s musical and scholarly heritage is interpreted as a crucial stage not only in the development of Khorezm classical music but also in the formation of Uzbek musical culture as a whole. Thus, the activity of Komil Khorezmi appears as an example of the synthesis of tradition and innovation, retaining its scientific and cultural significance in the modern context.
| Mualliflar | Ravshanbek Abdullayev |
|---|---|
| Jurnal | Миллий маданият |
| Nashr sanasi | 2025-08-31 |
| Jild | 1 |
| Son | 4 |
| Betlar | 66-70 |
| DOI | 10.64681/0gkng457 |
DOI: 10.64681/0gkng457 · Maqolaning asl sahifasi · PDF
This article examines the aesthetic, dramaturgical, and philosophical features of Satyajit Ray’s directorial art, which occupies an important place in the history of Indian and world cinema. The relevance of the study…
This article is devoted to the phenomenon of opera as a unique form of synthetic art, in which music, theater, poetry, dramatic action, and the power of the human voice are harmoniously combined. The author examines the…
Maqom creativity represents a unique synthesis of tradition and innovation within Central Asian musical culture. This study investigates how modern composers and traditional bastakor masters navigate the evolving…
The article examines the evolution of Uzbek traditional musical instruments from their ancient forms to modern technologies. The Uzbek musical tradition, formed at the crossroads of Eastern cultures, is presented as an…
This article examines the specific features of folk music pedagogy within the system of contemporary higher music education. It explores the theoretical foundations of the ethnopedagogical approach and the significance…
The article examines the application of traditional maqom principles in the composition “Reflections of the East” by Alim Mullaev, particularly focusing on the maqom Iroq. The study covers the key elements of maqom…
The article considers composing creativity as one of the factors in the evolutionary development of traditional professional music by Shashmaqоm. Composing in different historical epochs has been a driving, renewing…
This article presents an analysis of the contemporary composition Music for Oboe and Percussion (2012) by the young Uzbek composer Nurali Erkaev. The focus is on identifying the maqom-based principle of khona-bozguy…
This article examines the contribution of Viktor Alexandrovich Uspensky (1879–1949) to the development of musical culture in Central Asia. Particular attention is given to his activity as both an ethnographer and a…
This article focuses on the chamber instrumental composition "Aks Sado" by the Uzbek composer - Jakhongir Shukur, using the example of which such basic categories of musical language as texture and time are studied. The…