Mazkur maqola klassik Shashmaqom siklining «Nasr» bo‘limidagi ritmik tuzilmani tahlil qilishga bag‘ishlangan bo‘lib, unda aruz she’riy vazni bilan musiqiy ritm o‘rtasidagi o‘zaro bog‘liqlik yoritiladi. Tarixiy va zamonaviy ijrolar asosida olib borilgan qiyosiy tahlil asosida maqolada asosiy ritmik formulalar aniqlanadi hamda zamonaviy talqinlardagi og‘ishlar ko‘rsatib o‘tiladi. Tadqiqot shuni ko‘rsatadiki, ijrochilik amaliyotidagi o‘zgarishlar amaliy va ifodaviy maqsadlarni aks ettiradi, shu bilan birga an’anaviy me’yorlarning saqlanishiga oid xavotirlarni yuzaga chiqaradi. She’riy matnning metrik yaxlitligi va musiqiy frazalash o‘rtasidagi bog‘liqlik, shuningdek, melizmatik bezaklarning ritmik idrokka ta’siri alohida e’tiborda tutiladi. Natijalar o‘zbek klassik vokal an’analaridagi talqin murakkabliklarini chuqurroq anglashga xizmat qiladi va zamonaviy amaliyotda metodologik sadoqatning ahamiyatini ta’kidlaydi. Ushbu tahlil maqom merosini saqlash va uni akademik muhitga kiritish yo‘lida muhim qadam hisoblanadi.
| Mualliflar | Omar-Mun Yasmina |
|---|---|
| Jurnal | Миллий маданият |
| Nashr sanasi | 2025-06-02 |
| Jild | 1 |
| Son | 3 |
| Betlar | 23-37 |
| DOI | 10.64681/ah8w6q50 |
DOI: 10.64681/ah8w6q50 · Maqolaning asl sahifasi
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