Maqom ijrochilik san’ati uslublarida ustoz-shogird an’analari

Nargiza Begmatova

Миллий маданият · 2025-yil

Annotatsiya

The article provides an in-depth exploration of the Ustoz–Shogird (Master–Apprentice) tradition as a cornerstone of Uzbekistan’s musical culture, particularly within the context of Maqam performance. This ancient pedagogical model, deeply rooted in Eastern civilization, represents not only the transmission of musical skills but also the moral, aesthetic, and spiritual education of successive generations. The study emphasizes that the Ustoz–Shogird relationship goes beyond the conventional teacher–student dynamic, encompassing the formation of artistic individuality, ethical awareness, and creative thinking. Key components of musical performance — talent, knowledge, improvisation, diction, ensemble collaboration, and stage artistry — are analyzed as integral parts of this system. Through the artistic legacies of Halima Nosirova, Turgun Alimatov, and Komiljon Otaniyozov, the author demonstrates how the Ustoz–Shogird tradition has preserved the essence of national music while fostering its evolution. The article also discusses the adaptation of this model to the modern educational environment, where traditional mentorship harmoniously coexists with academic instruction and digital learning technologies. In the age of globalization and cultural transformation, the Ustoz–Shogird system remains a vital instrument for sustaining Uzbekistan’s national identity, artistic continuity, and the creative development of new generations of musicians, ensuring that the timeless dialogue between tradition and innovation endures.

Maqola ma’lumotlari
MualliflarNargiza Begmatova
JurnalМиллий маданият
NashriyotЎзбек миллий мусиқа санъати институти
ISSN3060-5490
Nashr sanasi2025-10-28
Jild1
Son5
Betlar36-42
TilO‘zbek
Ilmiy sohaSan’atshunoslik
DOI10.64681/z9mtq311
Indeksga qo‘shilgan2026-09-02

DOI: 10.64681/z9mtq311 · Maqolaning asl sahifasi · PDF

Ilmiy soha

San’atshunoslik

Iqtibos keltirish

APANargiza Begmatova (2025). Maqom ijrochilik san’ati uslublarida ustoz-shogird an’analari. Миллий маданият, 1(5), 36-42. https://doi.org/10.64681/z9mtq311
GOST (OAK)Nargiza Begmatova Maqom ijrochilik san’ati uslublarida ustoz-shogird an’analari // Миллий маданият. – 2025. – T. 1, № 5. – B. 36-42. – DOI: 10.64681/z9mtq311.
MLANargiza Begmatova. “Maqom ijrochilik san’ati uslublarida ustoz-shogird an’analari.” Миллий маданият, 1(5), 36-42, 2025. https://doi.org/10.64681/z9mtq311
ChicagoNargiza Begmatova. “Maqom ijrochilik san’ati uslublarida ustoz-shogird an’analari.” Миллий маданият, 1(5), 36-42 (2025). https://doi.org/10.64681/z9mtq311
HarvardNargiza Begmatova (2025) ‘Maqom ijrochilik san’ati uslublarida ustoz-shogird an’analari’, Миллий маданият, 1(5), 36-42. https://doi.org/10.64681/z9mtq311
BibTeX
@article{nargizabegmatova2025,
  title = {Maqom ijrochilik san’ati uslublarida ustoz-shogird an’analari},
  author = {Nargiza Begmatova},
  journal = {Миллий маданият},
  year = {2025},
  volume = {1},
  number = {5},
  pages = {36-42},
  doi = {10.64681/z9mtq311},
  url = {https://doi.org/10.64681/z9mtq311}
}

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