Anthropomorphism, the attribution of human characteristics to non-human entities, plays a significant role in shaping narrative structures, character development, and audience engagement in television and film productions. By humanizing animals, machines, and objects, filmmakers enhance emotional connections, simplify complex themes, and challenge societal norms. This paper examines the varied functions of anthropomorphism in visual storytelling, exploring its cognitive, cultural, and emotional implications in media. The study includes an analysis of its use in animated films, television shows, and advertisements, highlighting its effectiveness in enhancing narrative engagement and conveying moral lessons.
| Mualliflar | Atkamova, Sumanbar, Аткамова, Суманбар, Atkamova, Sumanbar |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2026-04-05 |
| Jild | 4 |
| Son | 2 |
| Betlar | 147-154 |
| Til | Ingliz |
| DOI | 10.47689/2181-3701-vol4-iss2-pp147-154 |
DOI: 10.47689/2181-3701-vol4-iss2-pp147-154 · Maqolaning asl sahifasi
anthropomorphism, characters, television, film, animals, machines, emotions, motivations, антропоморфизм, персонажи, телевидение, кинематограф, животные, машины, эмоции, мотивация, antropomorfizm, personajlar, televideniye, kino, hayvonlar, mashinalar, hissiyotlar, motivatsiya
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