National Code in the Structure of Composition: Semantics and Methodological Potential of Traditional Uzbek Motifs

Babaeva, Dinara, Khalilov, Ruslan, Kholmirzaev, Кhayitboy, Бабаева, Динара, Халилов, Руслан, Холмирзаев, Хайитбой, Babayeva, Dinara, Xalilov, Ruslan, Xolmirzayev, Xayitboy

Жамият ва инновациялар / Общество и инновации / Society and innovations · 2026-yil

Annotatsiya

This study examines traditional Uzbek ornamental complexes (girih and islimi), suzani embroidery, and the principles of Eastern miniature painting as carriers of the national cultural code. The research aims to identify the semantics of key visual motifs and to characterize their composition-organizing functions in the structure of an artwork. The methodology is based on a semiotic approach to the analysis of ornamental and pictorial elements, including the study of their symbolic meanings and compositional roles. The results reveal that the pomegranate symbolizes fertility and unity; the almond (bodom) represents awakening and the protection of life; the Tree of Life embodies the connection between worlds; birds signify freedom and the link between earthly and spiritual realms; and the rosette and star represent the sun, eternity, and divine light. Moreover, three compositional functions of national motifs are identified: rhythmic organization (through the repetition and alternation of elements), spatial structuring (multi-planarity, absence of linear perspective, vertical perspective), and color dominance (local, bright, decorative color as an expressive means). The compositional principles of suzani (centric composition, rhythmic organization, border framing, color as a dominant) and Eastern miniature painting (multi-planarity, “carpet-like” filling, vertical perspective) are characterized. Consequently, the necessity of studying the semantics and compositional patterns of national motifs in professional art education is substantiated. The study highlights the potential for using these findings in the development of teaching materials on composition in children's art schools. As a result, the integration of traditional motifs into art education not only enriches the range of compositional means but also fosters patriotic feelings and national identity.

Maqola ma’lumotlari
MualliflarBabaeva, Dinara, Khalilov, Ruslan, Kholmirzaev, Кhayitboy, Бабаева, Динара, Халилов, Руслан, Холмирзаев, Хайитбой, Babayeva, Dinara, Xalilov, Ruslan, Xolmirzayev, Xayitboy
JurnalЖамият ва инновациялар / Общество и инновации / Society and innovations
NashriyotIn Science МЧЖ
ISSN2181-1415
Nashr sanasi2026-04-05
Jild7
Son2
Betlar204-211
TilIngliz
DOI10.47689/2181-1415-vol7-iss2-pp204-211
Indeksga qo‘shilgan2026-08-26

DOI: 10.47689/2181-1415-vol7-iss2-pp204-211 · Maqolaning asl sahifasi

Kalit so‘zlar

семантика, композиционные функции, культурная идентичность, традиционное искусство, художественное образование, semantics, compositional functions, cultural identity, traditional art, art education, semantika, kompozitsion funksiyalar, madaniy identiklik, an’anaviy san’at, badiiy ta’lim

Iqtibos keltirish

APABabaeva, Dinara, Khalilov, Ruslan, Kholmirzaev, Кhayitboy, Бабаева, Динара, Халилов, Руслан, Холмирзаев, Хайитбой, Babayeva, Dinara, Xalilov, Ruslan, & Xolmirzayev, Xayitboy (2026). National Code in the Structure of Composition: Semantics and Methodological Potential of Traditional Uzbek Motifs. Жамият ва инновациялар / Общество и инновации / Society and innovations, 7(2), 204-211. https://doi.org/10.47689/2181-1415-vol7-iss2-pp204-211
GOST (OAK)Babaeva, Dinara va b. National Code in the Structure of Composition: Semantics and Methodological Potential of Traditional Uzbek Motifs // Жамият ва инновациялар / Общество и инновации / Society and innovations. – 2026. – T. 7, № 2. – P. 204-211. – DOI: 10.47689/2181-1415-vol7-iss2-pp204-211.
MLABabaeva, Dinara, Khalilov, Ruslan, Kholmirzaev, Кhayitboy, Бабаева, Динара, Халилов, Руслан, Холмирзаев, Хайитбой, Babayeva, Dinara, Xalilov, Ruslan, and Xolmirzayev, Xayitboy. “National Code in the Structure of Composition: Semantics and Methodological Potential of Traditional Uzbek Motifs.” Жамият ва инновациялар / Общество и инновации / Society and innovations, 7(2), 204-211, 2026. https://doi.org/10.47689/2181-1415-vol7-iss2-pp204-211
ChicagoBabaeva, Dinara, Khalilov, Ruslan, Kholmirzaev, Кhayitboy, Бабаева, Динара, Халилов, Руслан, Холмирзаев, Хайитбой, Babayeva, Dinara, Xalilov, Ruslan, and Xolmirzayev, Xayitboy. “National Code in the Structure of Composition: Semantics and Methodological Potential of Traditional Uzbek Motifs.” Жамият ва инновациялар / Общество и инновации / Society and innovations, 7(2), 204-211 (2026). https://doi.org/10.47689/2181-1415-vol7-iss2-pp204-211
HarvardBabaeva, Dinara, Khalilov, Ruslan, Kholmirzaev, Кhayitboy, Бабаева, Динара, Халилов, Руслан, Холмирзаев, Хайитбой, Babayeva, Dinara, Xalilov, Ruslan, and Xolmirzayev, Xayitboy (2026) ‘National Code in the Structure of Composition: Semantics and Methodological Potential of Traditional Uzbek Motifs’, Жамият ва инновациялар / Общество и инновации / Society and innovations, 7(2), 204-211. https://doi.org/10.47689/2181-1415-vol7-iss2-pp204-211
BibTeX
@article{babaevadinara2026,
  title = {National Code in the Structure of Composition: Semantics and Methodological Potential of Traditional Uzbek Motifs},
  author = {Babaeva, Dinara and Khalilov, Ruslan and Kholmirzaev, Кhayitboy and Бабаева, Динара and Халилов, Руслан and Холмирзаев, Хайитбой and Babayeva, Dinara and Xalilov, Ruslan and Xolmirzayev, Xayitboy},
  journal = {Жамият ва инновациялар / Общество и инновации / Society and innovations},
  year = {2026},
  volume = {7},
  number = {2},
  pages = {204-211},
  doi = {10.47689/2181-1415-vol7-iss2-pp204-211},
  url = {https://doi.org/10.47689/2181-1415-vol7-iss2-pp204-211}
}

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