Copyrights of Film Directors: Uzbekistan and International Experience

Yakubova, Iroda, Якубова, Ирода, Yakubova, Iroda

Жамият ва инновациялар / Общество и инновации / Society and innovations · 2025-yil

Annotatsiya

This article examines the film director as the principal creative subject of a motion picture, emphasizing the significance of his creative role and functions. It analyzes the legal status of the film director as an author of the film and characterizes his absolute (inalienable) rights as a rights holder. The study also explores contractual relations with directors and the mechanisms for transferring exclusive rights to producers under copyright agreements. Uzbekistan’s experience is compared with international practice, with particular attention to the legal frameworks of the United States and European countries. Based on this comparative analysis, the article identifies existing problem areas and puts forward relevant proposals and recommendations aimed at ensuring the effective protection of film directors’ copyright rights.

Maqola ma’lumotlari
MualliflarYakubova, Iroda, Якубова, Ирода, Yakubova, Iroda
JurnalЖамият ва инновациялар / Общество и инновации / Society and innovations
Nashr sanasi2025-12-05
Jild6
Son6
Betlar276-284
TilO‘zbek
DOI10.47689/2181-1415-vol6-iss6-pp276-284

Kalit so‘zlar

кинорежиссёр, автор аудиовизуального произведения, абсолютные авторские права, личные неимущественные права, договорные отношения, авторское право США, опыт Европы, интеллектуальная собственность, film director, author of audiovisual work, absolute authorship rights, moral rights, contractual relations, US copyright, European experience, intellectual property, kinorejissyor, audiovizual asar muallifi, mutlaq mualliflik huquqlari, shaxsiy gayrimulkiy huquqlar, shartnomaviy munosabatlar, AQSH mualliflik huquqi, Yevropa huquqiy tajribasi, intellektual mulk

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