An Artistic Interpretation of the Dialogue Between Eastern and Western Culture in the Novels of Orhan Pamuk

Parmanova, Sadokat, Парманова, Садокат, Parmanova, Sadoqat

Хорижий лингвистика ва лингводидактика · 2026-yil

Annotatsiya

This article examines the artistic representation of the East–West cultural dialogue in Orhan Pamuk’s novels. The study focuses on cultural identity, historical memory, the poetics of Istanbul, postmodern polyphony, and the aesthetic tension between tradition and modernity. Through The White Castle, My Name is Red, Snow, and The Museum of Innocence, the article argues that Pamuk does not present East and West as fixed oppositions, but rather as interwoven cultural models shaping individual and collective consciousness.

Maqola ma’lumotlari
MualliflarParmanova, Sadokat, Парманова, Садокат, Parmanova, Sadoqat
JurnalХорижий лингвистика ва лингводидактика
Nashr sanasi2026-05-25
Jild4
Son5/S
Betlar146-150
TilO‘zbek
DOI10.47689/2181-3701-vol4-iss5/s-pp146-150

Kalit so‘zlar

Орхан Памук, Восток и Запад, культурный диалог, идентичность, постмодернизм, Стамбул, художественное сознание, Orhan Pamuk, East and West, cultural dialogue, identity, postmodern novel, Istanbul, artistic consciousness, Orhan Pamuk, Sharq va G‘arb, madaniy dialog, identiklik, postmodern roman, Istanbul, badiiy tafakkur

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