This article examines the artistic representation of the East–West cultural dialogue in Orhan Pamuk’s novels. The study focuses on cultural identity, historical memory, the poetics of Istanbul, postmodern polyphony, and the aesthetic tension between tradition and modernity. Through The White Castle, My Name is Red, Snow, and The Museum of Innocence, the article argues that Pamuk does not present East and West as fixed oppositions, but rather as interwoven cultural models shaping individual and collective consciousness.
| Mualliflar | Parmanova, Sadokat, Парманова, Садокат, Parmanova, Sadoqat |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2026-05-25 |
| Jild | 4 |
| Son | 5/S |
| Betlar | 146-150 |
| Til | O‘zbek |
| DOI | 10.47689/2181-3701-vol4-iss5/s-pp146-150 |
DOI: 10.47689/2181-3701-vol4-iss5/s-pp146-150 · Maqolaning asl sahifasi
Орхан Памук, Восток и Запад, культурный диалог, идентичность, постмодернизм, Стамбул, художественное сознание, Orhan Pamuk, East and West, cultural dialogue, identity, postmodern novel, Istanbul, artistic consciousness, Orhan Pamuk, Sharq va G‘arb, madaniy dialog, identiklik, postmodern roman, Istanbul, badiiy tafakkur
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