The article examines the specific features of the poetics of lyrical experience in the works of Anna Akhmatova, Bella Akhmadulina, and Vera Polozkova. The study analyzes the artistic representation of the inner world of the lyrical heroine, the means of expressing emotional states, the intonational organization of poetic texts, and the continuity of traditions in Russian women’s poetry of the 20th and 21st centuries. Based on an analysis of the selected poets’ works, the article identifies both common and distinctive features in the artistic interpretation of experience as a key category of women’s poetry.
| Mualliflar | Ibodullaeva , Shakhruza, Babayeva, Shoira, Ибодуллаева , Шахруза, Бабаева , Шоира, Ibodullayeva , Shahruza, Babayeva, Shoira |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2026-04-25 |
| Jild | 4 |
| Son | 4/S |
| Betlar | 325-330 |
| Til | Rus |
| DOI | 10.47689/2181-3701-vol4-iss4/s-pp325-330 |
DOI: 10.47689/2181-3701-vol4-iss4/s-pp325-330 · Maqolaning asl sahifasi
женская лирика, поэтика, лирическое переживание, Анна Ахматова, Белла Ахмадулина, Вера Полозкова, поэтическая манера, авторское «я», интонация, художественный образ, women’s lyrics, poetics, lyrical experience, Anna Akhmatova, Bella Akhmadulina, Vera Polozkova, poetic manner, authorial self, intonation, artistic image, ayollar lirikasi, poetika, lirik kechinma, Anna Axmatova, Bella Axmadulina, Vera Polozkova, poetik uslub, muallif “meni”, intonatsiya, badiiy obraz
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