The article examines the artistic concept of the relationship between nature and the human being in the poetic worlds of Sergei Yesenin and Usman Nasyr, outstanding representatives of Russian and Uzbek literature of the twentieth century. The aim of the study is to identify common and nationally specific features in the interpretation of nature as a spiritual, philosophical, and aesthetic space of human existence. It is shown that in the lyrics of S. A. Yesenin, nature functions as a form of confessional self-expression and is closely connected with the themes of homeland, memory, and inner emotional experience, whereas in the poetry of Usman Nasyr, natural images acquire a dynamic, symbolic, and existential character, reflecting the human aspiration for freedom, movement, and the fullness of life. The article demonstrates that in the works of both poets, nature serves as an active participant in the lyrical process and as a means of revealing the inner world of the lyrical subject.
| Mualliflar | Burieva, Mukhabbat, Буриева, Мухаббат, Buriyeva, Muhabbat |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2025-12-25 |
| Jild | 3 |
| Son | 11/S |
| Betlar | 186-190 |
| Til | Rus |
| DOI | 10.47689/2181-3701-vol3-iss11/s-pp186-190 |
DOI: 10.47689/2181-3701-vol3-iss11/s-pp186-190 · Maqolaning asl sahifasi
поэзия, природа, человек, образ, лирическое «я», Сергей Есенин, Усман Насыр, родина, художественный мир, символика, poetry, nature, human being, image, lyrical “I”, Sergei Yesenin, Usman Nasyr, homeland, artistic world, symbolism, she’riyat, tabiat, inson, obraz, lirik “men”, Sergey Yesenin, Usmon Nosir, vatan, badiiy olam, ramziylik
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