The Artistic and Documentary Interpretation of the Tragedies of the Era in A. Solzhenitsyn’s The Gulag Archipelago and Shukrullo’s Kafansiz Komilganlar

Akhmedov, Numon, Ахмедов, Нумон, Ahmedov, Numon

Хорижий лингвистика ва лингводидактика · 2026-yil

Annotatsiya

This article analyzes the artistic and documentary interpretation of Alexander Solzhenitsyn’s The Gulag Archipelago and Shukrulla’s Kafansiz Komilganlar. Both works are monumental texts reflecting the repressive system of the Soviet totalitarian regime—one of the most horrific tragedies of the 20th century [1][2]. The article conducts a comparative analysis of the genre characteristics, compositional solutions, language, and style of these works. It also examines the similarities and differences in the personal experiences of both authors, their approach based on documentary evidence, and their means of artistic expression. The historical, ethical, and psychological significance of these works, as well as their impact on the modern reader, is discussed [3][4].

Maqola ma’lumotlari
MualliflarAkhmedov, Numon, Ахмедов, Нумон, Ahmedov, Numon
JurnalХорижий лингвистика ва лингводидактика
Nashr sanasi2026-04-25
Jild4
Son4/S
Betlar250-256
TilO‘zbek
DOI10.47689/2181-3701-vol4-iss4/s-pp250-256

Kalit so‘zlar

Архипелаг ГУЛАГ, Кафансиз кўмилиганлар, Александр Солженицын, Шукрулло, художественно-документальное произведение, тоталитарный режим, репрессия, лагерь, Сибирь, литература о репрессиях, память, трагедия, Gulag arxipelagi, Kafansiz koʻmilganlar, Aleksandr Soljenitsin, Shukrullo, badiiy-hujjatli asar, totalitar rejim, qatagʻon, lager, Sibir, qatagʻon adabiyoti, xotira, fojea, The Gulag Archipelago, Kafansiz Komilganlar, Aleksandr Solzhenitsyn, Shukrullo, literary-documentary work, totalitarian regime, repression, labor camp, Siberia, literature of repression, memory, tragedy

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