This article presents a poetic analysis of a series of poems dedicated to the last ruler of Kokand, Khudayar Khan (1831-1882). Several poetic cycles were created by contemporary authors on the occasions of the khan's accession to and abdication from the throne, as well as in honor of the magnificent palace he commissioned. Through these works, the authors' individual approaches to the khan's fate, their worldviews, and their use of expressive imagery are examined. The article scientifically elucidates such aspects as the main idea and content of the poems, their composition, their interconnectedness, stylistic unity, rhythmic and tonal harmony, the poets' artistic skill, and the expression of their inner feelings.
| Mualliflar | Sayfiddinova, Gulnoza, Сайфиддинова, Гулноза, Sayfiddinova, Gulnoza |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2026-03-25 |
| Jild | 4 |
| Son | 3/S |
| Betlar | 45-50 |
| Til | O‘zbek |
| DOI | 10.47689/2181-3701-vol4-iss3/s-pp45-50 |
DOI: 10.47689/2181-3701-vol4-iss3/s-pp45-50 · Maqolaning asl sahifasi
turkum she’rlar, poetika, xon obrazi, timsol, ramz, badiiyat, mahorat, janr, individuallik, mavzu, poetik uslub, she’riyat, detal, estetik shakl, ijodkor dunyoqarashi, poetik san’atlar, kompozitsion uyg‘unlik, цикл стихотворений, поэтика, образ хана, образ, символ, художественность, мастерство, жанр, индивидуальность, тема, поэтический стиль, поэзия, деталь, эстетическая форма, мировоззрение творца, поэтические приёмы, композиционная гармония, poetic cycle, poetics, image of the khan, symbol, emblem, artistry, mastery, genre, individuality, theme, poetic style, poetry, detail, aesthetic form, creator's worldview, poetic devices, compositional harmony
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