Turkic Tazkiras as Poetological Sources

Saydullaeva, Dilrabo, Сайдуллаева, Дилрабо, Saydullayeva, Dilrabo

Хорижий лингвистика ва лингводидактика · 2025-yil

Annotatsiya

This article examines Turkic tazkiras (anthologies), particularly Alisher Navoi’s Majālis un-nafā’is and Sodiqi Kitobdor’s (Afshor) Majma‘ ul-havas, as poetological sources for the study of classical Oriental–Islamic literature. The research is conducted on the basis of the poetological concept developed by Esad Duraković, which demonstrates the scholarly limitations of ethnifying classical literature and interpreting it solely as a collection of historical or philological facts. The article highlights the aesthetic criteria of the tazkira genre, the forms of commonality shaped within the framework of the “poetics of similarity,” and the ways in which the individuality of the author manifests itself within this shared poetic system.

Maqola ma’lumotlari
MualliflarSaydullaeva, Dilrabo, Сайдуллаева, Дилрабо, Saydullayeva, Dilrabo
JurnalХорижий лингвистика ва лингводидактика
Nashr sanasi2025-11-25
Jild3
Son10/S
Betlar327-331
TilO‘zbek
DOI10.47689/2181-3701-vol3-iss10/s-pp327-331

Kalit so‘zlar

тюркские тазкиры, поэтология, Маджолис ун-нафоис, Маджма‘ уль-хавас, суфийский творец, поэтика сходства, Эсад Дуракович, Turkic tazkiras, poetology, Majālis un-nafā’is, Majma’ ul-havas, Sufi poet, poetics of similarity, Esad Duraković, turkiy tazkiralar, poetologiya, Majolis un-nafois, Majma’ ul-havas, so‘fiy ijodkor, o‘xshashlik poetikasi, Esad Duraković

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