This article is devoted to analyzing John Updike’s poem “The Great Scarf of Birds” through the lens of postmodern literary theory. The study identifies intertextual references, the blending of real and unreal imagery, the subjective nature of perception, the multiplicity of metaphorical layers, and the dynamic qualities of poetic syntax. Using a conscious analytical approach and close-reading methodology, the research examines the poem’s poetic structure, semantic layers, and aesthetic characteristics. The findings indicate that although John Updike relies on realistic imagery, he employs significant postmodern poetic principles in this poem.
| Mualliflar | Rakhimova, Sarvinoz, Рахимова, Сарвиноз, Raximova, Sarvinoz |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2025-09-15 |
| Jild | 3 |
| Son | 5 |
| Betlar | 281-287 |
| Til | O‘zbek |
| DOI | 10.47689/2181-3701-vol3-iss5-pp281-287 |
DOI: 10.47689/2181-3701-vol3-iss5-pp281-287 · Maqolaning asl sahifasi
Джон Апдайк, постмодернизм, интертекстуализм, метафора, поэтика, John Updike, postmodernism, intertextuality, metaphor, poetics, Jon Apdayk, postmodernizm, intertekstualizm, metafora, poetika
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