This article presents a systematic analysis of the vocabulary in Alisher Navoi’s work Hayrat ul-Abror based on the relationship between form and meaning. The lexical units used in the work are classified into semantic groups, and their morphological formation and spiritual-aesthetic significance are examined. Particular attention is given to semantic phenomena, including synonymy, antonymy, homonymy, metaphor, and metonymy. The article contributes to a deeper understanding of Navoi’s artistic language capabilities by studying the lexical richness of the work. The research findings enable the classification of the vocabulary in this work based on modern linguistic approaches.
| Mualliflar | Sobirova, Shakhzoda, Собирова, Шахзода, Sobirova, Shahzoda |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2025-06-25 |
| Jild | 3 |
| Son | 6/S |
| Betlar | 138-144 |
| Til | O‘zbek |
| DOI | 10.47689/2181-3701-vol3-iss6/s-pp138-144 |
DOI: 10.47689/2181-3701-vol3-iss6/s-pp138-144 · Maqolaning asl sahifasi
lexicology, homonymy, synonymy, metaphor, metonymy, synonymic paradigm, homonymic series, Old Uzbek vocabulary, leksikologiya, omonimiya, sinonimiya, metafora, metonimiya, sinonimik paradigma, omonimik qator, eski o‘zbek tili leksikasi, лексикология, омонимия, синонимия, метафора, метонимия, синонимическая парадигма, омонимический ряд, лексика староузбекского языка
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