The article analyzes the symbolic and cosmogonic content of geometric signs, including the point, circle, square, rhombus, triangle, and cross, as well as hunting scenes and bull images at the Siypantosh rock-art site. The meanings of these symbols are examined in comparison with the symbolic systems of various world cultures, including China, the Maya, the Aztecs, India, Africa, and others. The hunting scenes are interpreted from the perspective of primitive hunting magic and religious-sacrificial beliefs. The findings suggest that the Siypantosh images may be interpreted as an integral symbolic system reflecting early human conceptions of the cosmos, life, and the divine.
| Mualliflar | Bobojonov, Bekhruz, Бобожонов, Бехруз, Bobojonov, Behruz |
|---|---|
| Jurnal | Жамият ва инновациялар / Общество и инновации / Society and innovations |
| Nashr sanasi | 2026-05-25 |
| Jild | 7 |
| Son | 5/S |
| Betlar | 339-343 |
| Til | O‘zbek |
| DOI | 10.47689/2181-1415-vol7-iss5/s-pp339-343 |
DOI: 10.47689/2181-1415-vol7-iss5/s-pp339-343 · Maqolaning asl sahifasi
Сийпантош, наскальное искусство, геометрический символ, семантика, круг, ромб, крест, сцена охоты, бык, первобытные верования, космогония, Siypantosh, rock art, geometric symbols, semantics, circle, rhombus, cross, hunting scenes, bull images, primitive beliefs, cosmogony, Siypantosh, qoyatosh sanʼati, geometrik timsol, semantika, nuqta, doira, romb, xoch, ov sahnasi, buqa, ibtidoiy eʼtiqod, kosmogoniya
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Жамият ва инновациялар / Общество и инновации / Society and innovations — barcha maqolalar