O‘zbek maqom san’ati taraqqiyoti yo‘lida Farg‘ona-Toshkent maqomlarining ahamiyati

Azizjon Zokirov

Миллий маданият · 2026-yil

Annotatsiya

This article analyzes the historical stages of the development of maqom art formed in the territory of Uzbekistan, as well as its regional performance traditions, using a comprehensive and systematic approach. The study examines the formation of Uzbek classical musical heritage, its development based on oral tradition, and its transmission through the ustoz–shogird (master–apprentice) system across generations. Maqom art is interpreted as one of the highest expressions of Uzbek musical thinking, characterized by a complex modal-intonational structure, a developed usul system, and rich formal-dramaturgical organization.The article presents a comparative analysis of the historical formation of maqoms, their local stylistic features, and the specific characteristics of regional performance schools. In particular, the structured organization and performance discipline of the Bukhara Shashmaqom, the expressive vocal style and “pang ovoz” technique of the Khorezm tradition, and the free, lyrical, and improvisational nature of the Fergana–Tashkent maqom tradition are examined. Special attention is given to the development of maqom cycles, their formal-dramaturgical structure, rhythmic systems, and principles of intonational development. The study also highlights the “free-path” nature of the Fergana–Tashkent maqom tradition and its close relationship with the katta ashula genre.

Maqola ma’lumotlari
MualliflarAzizjon Zokirov
JurnalМиллий маданият
NashriyotЎзбек миллий мусиқа санъати институти
ISSN3060-5490
Nashr sanasi2026-03-31
Jild2
Son1
Betlar40-51
TilO‘zbek
Ilmiy sohaSan’atshunoslik
DOI10.64681/g56qwf80
Indeksga qo‘shilgan2026-09-02

DOI: 10.64681/g56qwf80 · Maqolaning asl sahifasi · PDF

Ilmiy soha

San’atshunoslik

Iqtibos keltirish

APAAzizjon Zokirov (2026). O‘zbek maqom san’ati taraqqiyoti yo‘lida Farg‘ona-Toshkent maqomlarining ahamiyati. Миллий маданият, 2(1), 40-51. https://doi.org/10.64681/g56qwf80
GOST (OAK)Azizjon Zokirov O‘zbek maqom san’ati taraqqiyoti yo‘lida Farg‘ona-Toshkent maqomlarining ahamiyati // Миллий маданият. – 2026. – T. 2, № 1. – B. 40-51. – DOI: 10.64681/g56qwf80.
MLAAzizjon Zokirov. “O‘zbek maqom san’ati taraqqiyoti yo‘lida Farg‘ona-Toshkent maqomlarining ahamiyati.” Миллий маданият, 2(1), 40-51, 2026. https://doi.org/10.64681/g56qwf80
ChicagoAzizjon Zokirov. “O‘zbek maqom san’ati taraqqiyoti yo‘lida Farg‘ona-Toshkent maqomlarining ahamiyati.” Миллий маданият, 2(1), 40-51 (2026). https://doi.org/10.64681/g56qwf80
HarvardAzizjon Zokirov (2026) ‘O‘zbek maqom san’ati taraqqiyoti yo‘lida Farg‘ona-Toshkent maqomlarining ahamiyati’, Миллий маданият, 2(1), 40-51. https://doi.org/10.64681/g56qwf80
BibTeX
@article{azizjonzokirov2026,
  title = {O‘zbek maqom san’ati taraqqiyoti yo‘lida Farg‘ona-Toshkent maqomlarining ahamiyati},
  author = {Azizjon Zokirov},
  journal = {Миллий маданият},
  year = {2026},
  volume = {2},
  number = {1},
  pages = {40-51},
  doi = {10.64681/g56qwf80},
  url = {https://doi.org/10.64681/g56qwf80}
}

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