FRAME STRUCTURE OF “CREATIVITY” IN THE INTELLECTUAL NOVEL BY A. MURDOCH “THE BLACK PRINCE”

Зулфанова Нигина Нуритдиновна

Journal of Word Art – Сўз санъати халқаро журнали – Международный журнал искусства слова · 2026-yil

Annotatsiya

This article presents a graphical model of the frame dedicated to the category of “creativity.” The composition of concepts and subjects included in the structure of this frame is justified, emphasizing its individual-authorial character and uniqueness of construction. Special attention is paid to the fact that the representation of the frame model in the artistic space has a pronounced individual-authorial specificity, as well as national-semantic and axiological coloring. Such a model reflects not only the cognitive aspects of the perception and understanding of creativity but also demonstrates the author's modality — the subjective attitude and value orientations of the author, which are clearly manifested in the structure and interpretation of the frame. Thus, the presented model acts as a complex multidimensional cognitive system, integrating personal, cultural, and value components into a single semantic structure.

Maqola ma’lumotlari
MualliflarЗулфанова Нигина Нуритдиновна
JurnalJournal of Word Art – Сўз санъати халқаро журнали – Международный журнал искусства слова
Nashr sanasi2026-07-09
Jild8
Son3
TilRus

Kalit so‘zlar

фрейм, структура, концепты, система персонажей, авторское сознание, frame, structure, concepts, system of characters, author’s consciousness, freym, struktura, kontseptlar, personajlar tizimi, muallif ong‘i

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