The article investigates the referential, syntactic, cohesive, phraseological and phonopoetic mechanisms constructing the image of human solidarity in Ibrayim Yusupov’s poem “Bir adamdı bir adam”. The Karakalpak original is compared with G.Seytniyazova’s English translation. The study demonstrates that the recurrent expression bir adam develops a referential chain extending from an individual person to humanity as a whole. The refrain provides textual cohesion, semantic continuity and compositional unity. Particular attention is paid to sound–meaning isomorphism, phraseological valency and semantic gradation in the sequence nan-qan-jan. The English translation displays participant-role shift, weakening of lexical cohesion, phraseological calque, disruption of semantic climax and modification of the actant structure.
| Mualliflar | Khojamuratov , Ramil, Хожамуратов , Рамиль, Xojamuratov , Ramil |
|---|---|
| Jurnal | Тамаддун нури |
| Nashr sanasi | 2026-07-30 |
| Jild | 7 |
| Son | 82 |
| Betlar | 19-24 |
| Til | O‘zbek |
| DOI | 10.69691/2rvsvg72 |
DOI: 10.69691/2rvsvg72 · Maqolaning asl sahifasi
Ibrayim Yusupov, humanistic image, reference, cohesion, refrain, topicalisation, phraseological valency, phonopoetics, actant structure, English translation., Иброим Юсупов, образ человечества, отсылка, связность, рефрен, тематика, фразеологическая валентность, фонопоэтика, актантная структура, английский перевод., Ibroyim Yusupov, insonparvarlik obrazi, referensiya, kogeziya, refren, topikalizatsiya, frazeologik valentlik, fonopoetika, aktant tuzilishi, inglizcha tarjima.
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