This article examines self-deception as an artistic device in lyric poetry. Drawing on Russian poetry of the 19th–20th centuries, it analyzes its forms of manifestation, functions, and its role in constructing the inner conflict of the lyrical subject.
| Mualliflar | Atayev, Behruzbek |
|---|---|
| Jurnal | Тамаддун нури |
| Nashr sanasi | 2026-05-30 |
| Jild | 5 |
| Son | 2-qism |
| Betlar | 112-114 |
| Til | O‘zbek |
| DOI | 10.69691/ax4gev06 |
DOI: 10.69691/ax4gev06 · Maqolaning asl sahifasi
self-deception, lyric poetry, poetics, lyrical subject, inner conflict, Russian poetry, самообман, лирика, поэтика, лирический субъект, внутренний конфликт, русская поэзия., o‘zini o‘zi aldash, lirika, poetika, lirik subyekt, ichki ziddiyat, rus she’riyati.
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