The article gives brief conclusions on mutual analysis of the systems of ryhthms of "doira" musical instruments of Shashmaqom, Ferghana-Tashkent maqams, and Khorezm maqams. The differences and similarities of the researches in this direction are explained, considering that the origin and formation of the roots of eastern classical music, including Uzbek makomat, is based on one core, one system, and one philosophy.
| Mualliflar | Rasulov, Marufjon, Расулов, Маъруфжон, Rasulov, Ma’rufjon |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2024-11-25 |
| Jild | 2 |
| Son | 5/S |
| Betlar | 198-205 |
| Til | O‘zbek |
| DOI | 10.47689/2181-3701-vol2-iss5-pp198-205 |
DOI: 10.47689/2181-3701-vol2-iss5-pp198-205 · Maqolaning asl sahifasi
Музыка, стиль (ритм), макомы, стили, мера, размер, никра, Бузрук, Рост, Наво, Дугох, Сегох, Ирак, music, method (rhythm), statuses, styles, measure, weight, nikra, Buzruk, Rost, Navo, Dugokh, Segokh, Iraq, Musiqa, usul(ritm), maqomlar, uslublar, o‘lchov, vazn, niqra, Buzruk, Rost, Navo, Dugoh, Segoh, Iroq
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