Najmiddin Kavkabiy, Darvish ali Changiy va Hushdilning risolalarida Sharq maqomot tizimining qiyosiy talqini

Nilufar Botirova

Миллий маданият · 2026-yil

Annotatsiya

This article comparatively examines Najmiddin Kavkabiy’s Dar bayān-i duvāzdah maqām, Darvish Ali Changi’s Tuḥfat us-surūr, and Daya Ram Kachru Hushdil’s Tarāna-yi Surūr within a shared historical and theoretical framework and identifies their relationships. The argument is that these sources are not repetitive versions of the Twelve-Maqam system, but three models of knowledge in which a common theoretical heritage was reinterpreted according to the musical requirements of different periods and regions. Whereas Kavkabiy emphasizes the classification of maqams, avazas, and shu‘bas, with the principles governing derivative modal units, Changi expands this system through information about musical practice, rhythmic usuls, instruments, compositional forms, and musicians; Hushdil, meanwhile, combines Persian maqamat categories with Indo-Kashmiri concepts of raga, ragini, tala, Ragamala, temperament, performance time, and the spiritual effects of music. The categories of maqam, avaza, shu‘ba, gusha, usul, and performance time are examined through intertextual, comparative-typological, historical-contextual, and source-critical methods, demonstrating that identical terms do not always carry identical musical meanings. The studies of Dilorom Karomat, Alexander Djumaev, Asliddin Nizomov, Ishaq Rajabov, Józef Pacholczyk, and Haruo Inoue are critically synthesized. Consequently, the Twelve-Maqam system is interpreted as an open system of knowledge that circulated between Transoxiana, Khurasan, India, and Kashmir through manuscripts, musicians’ migration, inter-court relations, and Persian as a scholarly language, while acquiring new meanings through local performance. Its relationship to Shashmaqom and Sufiyana Musiqi is therefore understood not as direct linear succession, but as a unity of terminological memory, compositional principles, and performance transformations.

Maqola ma’lumotlari
MualliflarNilufar Botirova
JurnalМиллий маданият
NashriyotЎзбек миллий мусиқа санъати институти
ISSN3060-5490
Nashr sanasi2026-06-30
Jild2
Son2
Betlar232-261
TilO‘zbek
Ilmiy sohaSan’atshunoslik
DOI10.64681/krq96c19
Indeksga qo‘shilgan2026-09-02

DOI: 10.64681/krq96c19 · Maqolaning asl sahifasi · PDF

Ilmiy soha

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Iqtibos keltirish

APANilufar Botirova (2026). Najmiddin Kavkabiy, Darvish ali Changiy va Hushdilning risolalarida Sharq maqomot tizimining qiyosiy talqini. Миллий маданият, 2(2), 232-261. https://doi.org/10.64681/krq96c19
GOST (OAK)Nilufar Botirova Najmiddin Kavkabiy, Darvish ali Changiy va Hushdilning risolalarida Sharq maqomot tizimining qiyosiy talqini // Миллий маданият. – 2026. – T. 2, № 2. – B. 232-261. – DOI: 10.64681/krq96c19.
MLANilufar Botirova. “Najmiddin Kavkabiy, Darvish ali Changiy va Hushdilning risolalarida Sharq maqomot tizimining qiyosiy talqini.” Миллий маданият, 2(2), 232-261, 2026. https://doi.org/10.64681/krq96c19
ChicagoNilufar Botirova. “Najmiddin Kavkabiy, Darvish ali Changiy va Hushdilning risolalarida Sharq maqomot tizimining qiyosiy talqini.” Миллий маданият, 2(2), 232-261 (2026). https://doi.org/10.64681/krq96c19
HarvardNilufar Botirova (2026) ‘Najmiddin Kavkabiy, Darvish ali Changiy va Hushdilning risolalarida Sharq maqomot tizimining qiyosiy talqini’, Миллий маданият, 2(2), 232-261. https://doi.org/10.64681/krq96c19
BibTeX
@article{nilufarbotirova2026,
  title = {Najmiddin Kavkabiy, Darvish ali Changiy va Hushdilning risolalarida Sharq maqomot tizimining qiyosiy talqini},
  author = {Nilufar Botirova},
  journal = {Миллий маданият},
  year = {2026},
  volume = {2},
  number = {2},
  pages = {232-261},
  doi = {10.64681/krq96c19},
  url = {https://doi.org/10.64681/krq96c19}
}

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