This article explores the development and distinctive features of the prelude and fugue as a leading polyphonic genre in the creative output of Uzbek composers. Through the lens of works by such authors as G. Mushel, T. Kurbonov, and N. Gʻiyosov, the organic interrelation between European polyphonic traditions and the Uzbek national monody is analyzed. The author reveals the impact of the national mode-tonal system, folkloric material, and the principles of maqom on the structure of the fugue. Special emphasis is also placed on the principles of ostinato in polyphonic works and the psychological aspects of the composition process. This research holds significant scientific value for studying the formative stages of polyphony and organ performance within Uzbek music.
| Mualliflar | Akmal Safarov |
|---|---|
| Jurnal | Миллий маданият |
| Nashr sanasi | 2026-07-01 |
| Jild | 2 |
| Son | 2 |
| Betlar | 123-137 |
| DOI | 10.64681/zrtknp73 |
DOI: 10.64681/zrtknp73 · Maqolaning asl sahifasi · PDF
This article examines the role of the ghijak in the teaching of Eastern maqom. The ghijak is one of the oldest bowed instruments of Central Asia and occupies an important place in maqom performance practice. The study…
The article examines the rhythmic aspect of the embodiment of maqom traditions in the work “Mukhammas and Ufar” for string orchestra by Mirkhalil Makhmudov. The relevance of the study is determined by the growing…
This article presents an analytical review of PhD dissertations in art studies defended in Uzbekistan in 2025. The work examines the role of the younger generation of scholars in implementing the state cultural strategy…
This article examines the formation and development of variety (estrada) art in Uzbekistan, highlighting its historical foundations, cultural background, and contemporary progress. Since ancient times, the art of…
The article examines the artistic and functional features of doira rhythmic patterns in the instrumental sections of Shashmaqom. The study focuses on the rhythmic organization of Tasnif, Tarje, Gardun, Muxammas, and…
This аrticle explores the creаtive principles of composition аnd music writing, highlighting their importаnce in the nаtionаl musicаl culture. It аnаlyzes modern compositionаl techniques аnd styles of musicаl thinking…
This article analyzes the development of conducting art in the field of the orchestra of Uzbek folk instruments, including its historical formation, performance traditions, and modern stages. It also examines the…
This article focuses on the chamber instrumental composition "Aks Sado" by the Uzbek composer - Jakhongir Shukur, using the example of which such basic categories of musical language as texture and time are studied. The…
This article examines several aspects of the artistic activity of Turgun Alimatov, People’s Artist of Uzbekistan, professor, and holder of the “Oltin noxun” award. Particular attention is given to his performance style…
This article presents an analysis of the contemporary composition Music for Oboe and Percussion (2012) by the young Uzbek composer Nurali Erkaev. The focus is on identifying the maqom-based principle of khona-bozguy…