Ритмический аспект воплощения макомных традиций в произведении Мирхалила Махмудова «Мухаммас и Уфар»

Orzigul Alimukhamedova

Миллий маданият · 2026-yil

Annotatsiya

The article examines the rhythmic aspect of the embodiment of maqom traditions in the work “Mukhammas and Ufar” for string orchestra by Mirkhalil Makhmudov. The relevance of the study is determined by the growing interest in the interaction between traditional musical heritage and contemporary compositional creativity in the context of the renewal of national musical culture. Particular attention is paid to the analysis of the rhythmic organization of the composition, the identification of its connection with the canonical models of Uzbek maqom, as well as the peculiarities of their transformation within the framework of academic musical form. The study explores the methods of reinterpretation of traditional usul structures, the specifics of their adaptation to orchestral writing, and the preservation of the characteristic rhythmic plasticity of maqom thinking. The article also considers the features of the composer’s use of elements of oral musical tradition in written notation and the role of orchestral texture in conveying national musical color. The analysis of the work makes it possible to determine the importance of rhythm as one of the key factors of artistic expressiveness, form-building, and dramatic development of a musical composition. It is concluded that the appeal to maqom traditions contributes to the preservation and renewal of national musical heritage and expands the expressive possibilities of contemporary orchestral music.

Maqola ma’lumotlari
MualliflarOrzigul Alimukhamedova
JurnalМиллий маданият
NashriyotЎзбек миллий мусиқа санъати институти
ISSN3060-5490
Nashr sanasi2026-06-30
Jild2
Son2
Betlar18-27
TilRus
Ilmiy sohaSan’atshunoslik
DOI10.64681/zadxv985
Indeksga qo‘shilgan2026-09-02

DOI: 10.64681/zadxv985 · Maqolaning asl sahifasi · PDF

Ilmiy soha

San’atshunoslik

Iqtibos keltirish

APAOrzigul Alimukhamedova (2026). Ритмический аспект воплощения макомных традиций в произведении Мирхалила Махмудова «Мухаммас и Уфар». Миллий маданият, 2(2), 18-27. https://doi.org/10.64681/zadxv985
GOST (OAK)Orzigul Alimukhamedova Ритмический аспект воплощения макомных традиций в произведении Мирхалила Махмудова «Мухаммас и Уфар» // Миллий маданият. – 2026. – T. 2, № 2. – С. 18-27. – DOI: 10.64681/zadxv985.
MLAOrzigul Alimukhamedova. “Ритмический аспект воплощения макомных традиций в произведении Мирхалила Махмудова «Мухаммас и Уфар».” Миллий маданият, 2(2), 18-27, 2026. https://doi.org/10.64681/zadxv985
ChicagoOrzigul Alimukhamedova. “Ритмический аспект воплощения макомных традиций в произведении Мирхалила Махмудова «Мухаммас и Уфар».” Миллий маданият, 2(2), 18-27 (2026). https://doi.org/10.64681/zadxv985
HarvardOrzigul Alimukhamedova (2026) ‘Ритмический аспект воплощения макомных традиций в произведении Мирхалила Махмудова «Мухаммас и Уфар»’, Миллий маданият, 2(2), 18-27. https://doi.org/10.64681/zadxv985
BibTeX
@article{orzigulalimukhamedova2026,
  title = {Ритмический аспект воплощения макомных традиций в произведении Мирхалила Махмудова «Мухаммас и Уфар»},
  author = {Orzigul Alimukhamedova},
  journal = {Миллий маданият},
  year = {2026},
  volume = {2},
  number = {2},
  pages = {18-27},
  doi = {10.64681/zadxv985},
  url = {https://doi.org/10.64681/zadxv985}
}

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