BUKHARA –STYLE AND MAVRIGI PERFORMANCE: DEVELOPMENT, PERFORMANCE AND MASTERY OF PERFORMERS IN THE YEARS OF INDEPENDENCE

Раджабова Нодира Мехмоновна

Ўтмишга назар журнали / Журнал взгляд в прошлое /Journal of Look to the Past · 2026-yil

Annotatsiya

This article provides information about the court instrumental music art that emerged in the Bukhara Emirate, its development during the years of independence, and the widespread popularity of the “Bukharcha” series of melodies and songs among the people, as well as their unique styles of performance. It also highlights renowned instrumentalists who skillfully performed “Bukharcha” melodies and songs, along with folklore-ethnographic ensembles. The distinctive features of instrumental performance art, the master-apprentice tradition, and the skills of apprentices in demonstrating this art are also discussed. In addition, valuable information is presented about the creative activities of famous artists who contributed to the promotion of this art form during the independence period.

Maqola ma’lumotlari
MualliflarРаджабова Нодира Мехмоновна
JurnalЎтмишга назар журнали / Журнал взгляд в прошлое /Journal of Look to the Past
Nashr sanasi2026-06-03
Jild9
Son5/2
TilO‘zbek

Kalit so‘zlar

:”Бухорча“, танец, пение, женский букет, свадьба, марака, кайрак, рубоб, дутор, фольклорно-этнографические ансамбли, Тофахан,”Мавриги“, лапар, улан, фестиваль, лазги, ”Шахд“, ”Чорзарб“,”Шикан-шикан, “Bukharcha,” dance, song, women’s ensemble, percussion (zang), wedding, ceremony, qayroq, rubab, dutar, folklore-ethnographic ensembles, Toʻhfaxon, “Mavrigi,” lapar, oʻlan, festival, lazgi, “Shahd,” “Chorzarb,” “Shikan-shikan.”, “Buxorcha”, raqs, ashula, ayollar dastasi, zang, toʻy, ma’raka, qayroq, rubob, dutor, folklor etnografik ansambllar, Toʻhfaxon, “Mavrigi”, lapar, oʻlan, festival, lazgi, “Shahd”, “Chorzarb”, “Shikan-shikan”

Ilmiy soha

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