This article provides an in-depth analysis of feminist utopias created by English and Uzbek writers. In particular, it explores Charlotte Perkins Gilman’s famous work Herland and Omon Muxtor’s Ayollar Mamlakati va Saltanati (The Women’s Country and Kingdom), where the role of women in society, gender equality, social justice, and visions of an ideal society are depicted both artistically and philosophically. These two works are examined comparatively, highlighting their similarities and differences in detail. The article investigates how women's social activity, rights, opportunities, and the issue of equality with men are portrayed. Additionally, the concept of feminist utopia is analyzed from a theoretical perspective, focusing on each author’s unique creative style, literary techniques, and approaches. Through this comparison, literary interpretations of gender issues, social equality, and utopian society ideals are revealed. The article aims to enhance understanding of the role of feminist utopia in literature and its societal relevance, while also shedding light on the potential of literary approaches to address contemporary gender equality issues. Ultimately, the article analyzes how utopian visions of an ideal society and the question of women's rights are artistically expressed in the works of both authors.
| Mualliflar | Усманова, Феруза |
|---|---|
| Jurnal | Lingvospektr |
| Nashr sanasi | 2025-06-08 |
| Jild | 5 |
| Son | 1 |
| Betlar | 290-295 |
| Til | O‘zbek |
Феминистская утопия, проза, гендер, сравнительный анализ, английская литература, узбекская литература, Feministik utopiya, nasr, gender, qiyosiy tahlil, ingliz adabiyoti, o‘zbek adabiyoti
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