GENERATIVE SOUNDSCAPES AS A METHOD OF MODELING MEDIATED EXPERIENCE

Stolbova, Polina

Ўзбекистонда хорижий тиллар (электрон илмий­методик журнал) · 2026-yil

Annotatsiya

The article examines generative soundscapes as a method of modeling indirect experience and engaging with spaces inaccessible to direct perception. Drawing on three acoustic environments inspired by the landscapes of Patagonia, article analyzes the principles of processualism, open structure and mediated presence.  These sound models do not aim to reproduce natural objects directly; they generate perceptual conditions associated with verticality, horizontal extent and movement. The theoretical part is based on the approaches of Southworth, Schaefer and Troyes, who view the sound environment as culturally and perceptually conditioned. The practical part demonstrates how generative algorithms can produce acoustic structures that function as continuous processes rather than as fixed compositions.  The study demonstrates that this approach can be applied in museum and immersive projects dealing with lost architecture, archives and historical spaces, where sound acts as a mediator between bodily perception, memory and imaginary space.

Maqola ma’lumotlari
MualliflarStolbova, Polina
JurnalЎзбекистонда хорижий тиллар (электрон илмий­методик журнал)
Nashr sanasi2026-04-20
Jild67
Son2
Betlar67-84
TilIngliz
DOI10.36078/1778829757

Kalit so‘zlar

generative sound, soundscape, exhibition spaces, bodily presence, spatial perception, acoustic drama

Ilmiy soha

Ўзбекистонда хорижий тиллар (электрон илмий­методик журнал) jurnalidan boshqa maqolalar

Ўзбекистонда хорижий тиллар (электрон илмий­методик журнал) — barcha maqolalar