This article explores the representation of Central Asian peoples’ world outlook at the beginning of the 20th century. The focus lies on the symbolic portrayals of freedom, power, and identity, as depicted through cultural practices, clothing, and gestures observed among various ethnic and religious groups living in the Bukhara Emirate. Using metaphors and implicatures embedded in Bailey's text, the study delves into the experiences of Hindus, Jews, Russians, and local Muslims, revealing a multi-layered understanding of social hierarchies and cultural tensions during a period of significant political transformation. The findings underscore the enduring relevance of imagological approaches in illuminating the intersectionality of culture, politics, and identity in historical contexts.
| Mualliflar | Ziyodillaeva, Makhbuba, Зиёдиллаева, Махбуба, Ziyodillaeva, Mahbuba |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2025-05-25 |
| Jild | 3 |
| Son | 5/S |
| Betlar | 276-280 |
| Til | Ingliz |
| DOI | 10.47689/2181-3701-vol3-iss5/s-pp276-280 |
DOI: 10.47689/2181-3701-vol3-iss5/s-pp276-280 · Maqolaning asl sahifasi
Ключевые слова: прототипический образ, имагологический анализ, сравнительное литературоведение, историческая критика, ориентационные метафоры, импликатура, этнические стереотипы, концептуальные единицы, Keywords: prototypical image, imagological analysis, comparative literary studies, historical criticism, orientational metaphors, implicature, ethnic stereotypes, conceptual units, prototipik obraz, imagologik tahlil, qiyosiy adabiyotshunoslik, tarixiy tanqid, oriyentatsion metafora, implikatura, etnik stereotiplar, konseptual birliklar
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