This article provides a scientific and literary analysis of the work "Un empire de mots" by French orientalist Mark Toutant. The study examines Alisher Navoi's "Khamsa" as a source reflecting the historical, political, social, and cultural realities of the Timurid era in the 15th century. Methodological aspects of the work are explored based on concepts of imitation, acculturation, and patronage, revealing the cultural-political significance of Navoi's works.
| Mualliflar | Nasirdinova, Yorkinoy, Насирдинова, Ёркиной, Nasirdinova, Yorkinoy |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2025-03-15 |
| Jild | 3 |
| Son | 2 |
| Betlar | 20-28 |
| Til | O‘zbek |
| DOI | 10.47689/2181-3701-vol3-iss2-pp20-28 |
DOI: 10.47689/2181-3701-vol3-iss2-pp20-28 · Maqolaning asl sahifasi
Mark Toutant, Un empire de mots, Alisher Navoiy, Xamsa, taqlid, akkulturatsiya, metsenatlikhomiylik, Temuriylar davri, Марк Тутан, Un empire de mots, Алишер Навои, Хамса, подражание, аккультурация, меценатство, эпоха Тимуридов, Mark Toutant, Un empire de mots, Alisher Navoi, Khamsa, imitation, acculturation, patronage, Timurid era
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