This article examines the interaction between music and visual art within the framework of artistic synthesis through the example of works created by Uzbek composers. The study focuses on the influence of pictorial images, color palette, composition, and artistic ideas on musical thinking and the formation of musical imagery. Particular attention is paid to piano compositions by G. Mushel, M. Tojiyev, D. Yanov-Yanovsky, Z. Khodieva, and other composers whose works were inspired by paintings and various forms of visual art. The research analyzes the role of programmatic principles, modal and harmonic organization, rhythm, texture, and musical dramaturgy as essential means of artistic expression. Furthermore, the article reveals the specific features of translating visual images into musical language and highlights the importance of interdisciplinary artistic connections in the creation of new aesthetic concepts. The findings demonstrate that the interaction between music and visual art occupies a significant place in the development of the Uzbek compositional school and contributes to the enrichment of the artistic and expressive potential of national musical culture.
| Mualliflar | Saidakhon Sattorova |
|---|---|
| Jurnal | Миллий маданият |
| Nashr sanasi | 2026-06-30 |
| Jild | 2 |
| Son | 2 |
| Betlar | 94-100 |
| DOI | 10.64681/krw72h12 |
DOI: 10.64681/krw72h12 · Maqolaning asl sahifasi · PDF
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