Based on the full support of Sultan Husayn Bayqara and Amir Ali-Shir Nava’i in the royal library, numerous prominent artists gathered and created valuable works. The works of Nava’i, which held high literary value, attracted the attention of artists and have been reproduced in various regions and across successive periods since then. Additionally, Amir Ali-Shir Nava’i played a significant role in enhancing the writing of Turkish works, such that after the creation of his works, there was a remarkable increase in the number of Turkish works produced. The question of which stories and themes painters chose to illustrate, and the possible connection of these images with the verses of the poems, was addressed. In the course of this study, it was observed that all illustrations originated from adjacent verses. The exception was found in two manuscripts (Fawa’id al-Kibar and Hayret al-Abrar), where the images were not contemporaneous with the work and were added later, lacking a direct connection between the verses next to the paintings and the text. It is noteworthy that the selected cases for examination were illustrated manuscripts preserved in Iran, comprising seven manuscripts in total.
| Mualliflar | Sevda Beheshti |
|---|---|
| Jurnal | Ўзбекистон: тил ва маданият |
| Nashr sanasi | 2025-03-12 |
| Jild | 1 |
| Son | 1 |
| Betlar | 125-138 |
| DOI | 10.52773/tsuull.uzlc.2025.1/whyv5368 |
DOI: 10.52773/tsuull.uzlc.2025.1/whyv5368 · Maqolaning asl sahifasi
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