Mazkur maqolada lirikadagi bag‘ishlov janrining nazariy xususiyatlari, tarixiy shakllanish bosqichlari hamda poetik tabiati tahlil qilinadi. “Adabiyotshunoslik lug‘ati”da berilgan ta’rif asosida bag‘ishlovning dastlab antik adabiyotdagi debocha va madhiyaviy unsur sifatida yuzaga kelgani, keyinchalik esa mustaqil lirik janr darajasiga ko‘tarilgani yoritiladi. Shuningdek, bag‘ishlovning zamonaviy adabiyotdagi estetik- psixologik vazifalari, murojaat shakli, emotsionallik, intimlik va ruhiy yaqinlik kabi janriy belgilariga alohida e’tibor qaratiladi. Maqolada turli ijodkorlar tomonidan tasavvufshunos olim Ibrohim Haqqul xotirasiga bag‘ishlab yozilgan she’rlar tahlil qilinib, ulardagi tasavvufiy ramzlar, poetik timsollar va ruhiy-estetik qatlamlar ochib beriladi. Tadqiqot natijasida bag‘ishlov janri zamonaviy o‘zbek lirikasida shaxs siymosini badiiy talqin etishning muhim poetik shakllaridan biri ekanligi asoslanadi.
| Mualliflar | Qodirova, Nasima Saidburxonovna, Samadova, Dilfuza Maxsudjonovna |
|---|---|
| Jurnal | Қўқон ДПИ. Илмий хабарлар |
| Nashr sanasi | 2026-07-14 |
| Jild | 8 |
| Son | 05 |
| Betlar | 1135-1144 |
| Til | Ingliz |
| DOI | 10.70728/b.series.fil.v08.i05.166 |
DOI: 10.70728/b.series.fil.v08.i05.166 · Maqolaning asl sahifasi
bag‘ishlov, lirika, poetik janr, murojaat, tasavvufiy ramz, emotsionallik, Ibrohim Haqqul, xotira bag‘ishlovi, poetik talqin, lirik qahramon.
ushbu maqolada retrospeksiya usuli, uning badiiy asardagi o‘rni va bu metodning asar qahramonlari ruhiyatidagi ahamiyati haqida fikrlar bayon qilingan.
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