This article examines Goethe’s philosophy and its reflection in his works of art. Through his multifaceted body of work, Goethe deeply explored fundamental questions such as the nature of humanity, freedom, morality, and the meaning of life, expressing these themes through artistic images and figures. The article analyzes how Goethe’s philosophical views are embodied in his most renowned works, including the tragedy Faust. Additionally, it explores the complex relationship between Goethe’s artistic style and philosophical perspective, and how these elements reveal aspects of human experience and existential issues. The article provides a deeper understanding of the synthesis between Goethe’s philosophical ideas and their artistic expression.
| Mualliflar | Atabayeva , Zarnigor, Атабаева , Зарнигор, Atabayeva , Zarnigor |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2024-08-15 |
| Jild | 2 |
| Son | 2/S |
| Betlar | 210-214 |
| Til | O‘zbek |
| DOI | 10.47689/2181-3701-vol2-iss2/s-pp210-214 |
DOI: 10.47689/2181-3701-vol2-iss2/s-pp210-214 · Maqolaning asl sahifasi
Иоганн Вольфганг фон Гете, Йос фон Берлихинген, Прометей, Мухаммед, Фауст, Стребен, трансцендентность, добро и зло, “Посвящение”, “Прелюдия”, “Пролог”, Johann Wolfgang von Goethe, "Jos von Berlichingen", "Prometheus", "Muhammad", "Faust", Streben, transcendence, good and evil, "Dedication", “Prelude”, Prologue", Iogan Volfgang fon Gyote, “Gyos fon Berlixingen”, “Prometey”, “Muhammad”, “Faust”, Streben, transsendentsiya, ezgulik va yovuzlik, “Bag‘ishlov”, “Teatr muqaddimasi”, “Arshi a’lodagi debocha”
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