ARTISTIC TECHNIQUES OF DEPICTION IN GHAZALS OF ALISHER NAVOI

Дилором САЛОХИ

Алишер Навоий · 2025-yil

Annotatsiya

The article analyzes the question of the correlation of form, theme and content in the spiritual and mystical poems of Nizamaddin Mir Alisher Navoi, dedicated to the praise and glorification of the highly moral qualities of a perfect personality. In the poems devoted to the description of the spiritual beauty of a perfect man, one can trace a symbolic image of the moral ideal of the great poet. In the gazelle of Alisher Navoi, which begins with the line"Being a witness to the secrets of the beauty of your face, like the pages of a book...", the poet masterfully uses artistic methods of depiction, such as praise and worship. The poet, describing the external and internal spiritual beauty of the Prophet Muhammad (saw) - (peace be upon him), symbolizes great love and devotion to impeccable moral purity in the image of the ideal of humanity. The author of the article analyzes and interprets this poem of the great poet from makta – the initial couplet to matla – the last bayt by the technique of commentary. To substantiate his reasoning, the author turns to the sacred sources of Islam. The literary and artistic position of the great thinker Alisher Navai in relation to the morally perfect personality and guide of mankind Muhammad (saw) – (peace be upon him) is stated. The author of the article argues that the spiritual and aesthetic views of the great master of the word on this topic should be studied and considered within the framework of the canons of oriental poetry.

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MualliflarДилором САЛОХИ
JurnalАлишер Навоий
Nashr sanasi2025-01-24
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классическая поэзия, стиль, приём, восхваление, история, любовь, преданность, духовно-художественное мышление, литературоведение, просьба, classical poetry, style, technique, praise, history, love, devotion, spiritual and artistic thinking, literary criticism, request, мумтоз шеърият, услуб, усул, тавсиф, тарих, муҳаббат, ихлос, маърифий-бадиий тафаккур, адабиётшунослик, илтижо

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