The article discusses the artistic skill of Alisher Navoi and the problems of the poet's lyrical style. The author analyzes the originality of the poet's lyrical style on the material of his own collections of poems composed and edited by his own - "Badoy ul-Bidoya" ("Rare Beginnings"), "Navadyr un-nihoya" ("The Beginnings of the End") and "Khaza'ine ul-Maani" ("Treasure of Thoughts"). The poet's artistic and aesthetic views are most vividly reflected in his artistic techniques to create the image of the lyrical hero, in the application of aruz technique, also in the verses of social content. In the collections of Navai poems, the Great Creator's ghazal praises, reflecting the advanced ideas of Eastern religious thinking, occupy a wide place. In them, the poet expresses his humane reflections, which go beyond national, racial, primitive-religious, ideological barriers and praise the person, serve for his spiritual perfection. One of the main criteria of Navai's poetry is its reflection of the positive ideas of Sufism, the poet's belonging to the Sufi Naqshbandia. The article also outlines the idea of Alisher Navai's application of the principle of artistic version of his gazelles, where several variants use makta’.
| Mualliflar | Салохий Дилором Исомиддин кизи |
|---|---|
| Jurnal | Алишер Навоий |
| Nashr sanasi | 2021-02-08 |
| Jild | 1 |
| Son | 1 |
| Til | O‘zbek |
художественное мастерство, поэтический стиль, техника аруза, газели-восхваления, исламское мировоззрение, суфизм, совершенство личности, текстовые разнообразия, мактаъ, содержание, редакция, история, artistic skill, poetic style, aruz technique, gazelle-praise, Islamic worldview, Sufism, perfection of personality, textual diversity, makta’, content, editorial, history, бадиий маҳорат, поэтик услуб, аруз техникаси, ҳамд ғазаллар, исломий тафаккур, тасаввуф, инсон камолоти, матнлардаги тафовутлар, мақтаъ, мазмун, таҳрир, тарих
The article shows the skill of Alishera Navoi in creating a tatabbu-gazelle in tajik, based on an analysis of one of his tatabbu which is written in the gazelle Hafiz Shirazi.
The article concerns a scientific analysis of renunciation notion, playing an important role in the oriental classic literature, and its interpretations in the poetry of Alisher Navoi. There is an elucidation of…
Corresponding member of the USSR Academy of Sciences, Doctor of Science, prof. E.E. Bertels substantiated with many theoretical and factual materials the originality of Alisher Navai’s poetry in his monograph "Navai and…
Undoubtedly, the last founding artist in the entire history of Turkish literature is Alisher Navai (1441-1501). Navai, who studied in deep-rooted cultural centers, learned the science, social, religious and artistic…
Алишер Навоий ва унинг ижоди ғарб олимлари диққат марказига тушганидан бери бир неча аср ўтди. Афсуски, ХХ асрда шўро тузуми туфайли маънавий ва илмий алоқа чегараларининг ёпилиши натижасида, биз хориждаги ўзбек…
Attention to language, the role and function of language in human life, human dignity and the purpose for which man uses language as his main means of communication are among the central points of the work of Eastern…
Muhokamat ul-lug'atayn is a great discovery of Alisher Navoi in linguistics. In this work, he began the field of typological study of languages in world linguistics by comparing languages belonging to different…
The great Uzbek poet Alisher Navoi (1441-1501), during his lifetime, was widely known not only in his homeland, but also far beyond its borders. A contemporary and biographer of Navoi, the famous historian Khondamir, of…
In this article, the object of the study is to analyze the studies of Navoi related to the Divans of Alisher Navoi. The Divan poems composed by the poet admirers have been studied in comparison with those of the…
This article is devoted to the analysis of the semantic structure of the common Turkic word “tortmoq” "pull, drag" on the example of factual materials recorded in the ancient Turkic, Old Turkic and Old Uzbek written…