Alisher Navoi’s contribution to the development of classical literature of the Turkic peoples is remarkable. The best creatures of Uzbek poet who has been honored as “Shams ul-millat”, alongside the works of the spiritual and spiritual world of humanity such as Jaloliddin Rumi, Hafiz Sherozi, Alighieri Dante, William Shakespeare and Lev Tolstoy. The first tazkira in the Turkic language, “Majolis un-nafois”, was created by Alisher Navoi in 1491-1498. The Tazkira consists of 8 majlises. There is given information about 459 poets who lived and created in the 15th century. For example, related informations had been given about 46 poets in the first majlis, 91 in the second majlis, 175 in the third majlis, 72 in the fourth majlis, 21 in the fifth majlis, 31 in the sixth majlis, 22 in the seventh majlis and Khusayn Baykara in the eighth majlis. Sodikbek Afshor is a well-known poet, a well-known scientist and miniature artist who lived in Azerbaijan in the second half of the XVI century and early in the seventeenth century. Informations about life and work of the poet came through his divan and tazkira that called “Majma’ ul-khavos”. Sodiki wrote the second tazkira in the 1597-1598 years in the Turkic language “Majma’ ulkavos” in the style of “Majolis un-nafois” by Alisher Navoi. It was composed of 8 majma’s. In the “Majma’ ul-kavos” a detailed information is given about 369 poets who lived and created works in Persian, Tajik and Turkic languages in Iran, Azerbaijan, Central Asia, Turkey, Afghanistan, Pakistan and India during the reign of King Ismael I. For instance, informations had been given about lives and works of 12 poets in the first majma’, 8 poets in the second majma’, 11 poets in the third majma’, 33 poets in the fourth majma’, 15 poets in the fifth majma’, 39 poets in the sixth majma’, 28 poets in the seventh majma’ and 223 poets in the eighth majma’. In this article ideological and artistic comparisons of Alisher Navoi’s “Majolis un-nafois” and Sodiki Afshor’s “Majma’ ul-khavos” has been revealed.
| Mualliflar | Султанов Тулкин Иргашевич |
|---|---|
| Jurnal | Алишер Навоий |
| Nashr sanasi | 2022-06-10 |
| Jild | 2 |
| Son | 2 |
| Til | Rus |
тазкира, традиция, литературное влияние, межлис, маджмаъ, тюркская литература, поэт, газель, tazkira, tradition, literary influence, majlis, majma’, turkic literature, poet, ghazal, Tazkira, an’ana, adabiy ta’sir, majlis, majma’, turkiy adabiyot, shoir, g‘azal
None of the artists of the current period would have read Alisher Navoi’s work and been inspired by it. Alisher Navoi’s style of writing has aroused great interest among today’s artists. In particular, this theme is…
The article talks about the creative skills and traditions of epic writers, who brought the stories about Layla and Majnun to literature in the form of epics. Before Alisher Navoi and Muhammad Fuzuli, there were many…
The article reflects the attitude of Gadoi, Sakkoki, Atoi, one of the most influential artists of Alisher Navoi, to the image of a lover in his poetry, the ideological content of his poems, his art and the poet’s…
The article analyzes the principles of updating the traditions of the great poet and thinker Alisher Navai in the poetry of Zokirjon Furkat (1859-1909), a prominent representative of Uzbek literature of the period of…
The report examines the fact that Navoi epics with stories, mainly "Lison ut-tayr" and partially "Saddi Iskandari", strictly observe the rules of composition, including symmetrical ones. Thus, eight violations of the…
This article analyzes the ontological approach to the works of Alisher Navoi as a literary text, which gives an objective result in revealing the original meanings of the text, reflecting the worldview of its author. A…
This article is devoted to determining the extent to how many Alisher Navoi used the holy book of Islam - the Koran in his work "Mahbub ul-Kulub". In particular, with the help of examples, it is investigated that the…
The article discusses the importance of introductions for divans as an important and reliable source in the study of the life and work of poets, the introduction and its features. In particular, it is emphasized that…
It is known that in Sufi sources it is emphasized that the follower (solik), first of all, must be a muhaddith. It is impossible to move on to the practical application of the tariqah without observing the precepts of…
The traditions of the emergence and interpretation of the image of Majnun in Eastern classical literature cover long historical periods. No matter how complex its origins as an artistic image, its socio-philosophical…