The traditions of the emergence and interpretation of the image of Majnun in Eastern classical literature cover long historical periods. No matter how complex its origins as an artistic image, its socio-philosophical essence is incredibly deep and majestic. This article examines the genesis of the image of Majnun and the traditions of its interpretation in Eastern literature, the features of the expression of the image in the poetry of Alisher Navoi, the changes that occurred in the process of transformation in classical poetry. At the same time, Navoi’s poetry reveals new interpretations of the image-symbol of Majnun.
| Mualliflar | Санакулов Улугбек Кучкарович |
|---|---|
| Jurnal | Алишер Навоий |
| Nashr sanasi | 2022-06-10 |
| Jild | 2 |
| Son | 2 |
| Til | O‘zbek |
Восточная классическая литература, легенда и повествование, история Лейли и Меджнуна, традиция и новизна, эпическая и лирическая интерпретация, поэзия Навои, образ и образ, поэтическая функция, Oriental classical literature, legend and narrative, the history of Leyli and Majnun, tradition and novelty, epic and lyrical interpretation, Navoi poetry, image and image, poetic function., Шарқ мумтоз адабиёти, афсона ва ривоят, Мажнун қиссаси, анъана ва янгилик, эпик ва лирик талқин, Навоий шеърияти, образ ва тимсол, поэтик функция
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In this article, based on the principle of studying the work of Alisher Navoi with the help of his own interpretations, the sources of the poems included in the “Khamsa” by Alisher Navoi are explored. The thoughts of…
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Giyosiddin Khandamir’s work “Makorim ul-akhlaq” is written about Alisher Navoi from beginning to end. In this play, Khandamir described all the virtues and noble qualities of Alisher Navoi, whom he considered a teacher…
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