This article analyzes the ontological approach to the works of Alisher Navoi as a literary text, which gives an objective result in revealing the original meanings of the text, reflecting the worldview of its author. A literary text is a reflection of human thinking, an insight. The universe manifests itself in human perception. The article deals with the ontological layer of Alisher Navoi’s creativity, the irrational perception of the poet, worldview and ontological problems are closely interconnected, because the system of the personality’s worldview and the product of his creativity is an interconnected single phenomenon. The analysis of metaphorically complex ways of expressing Uzbek classical literature based on Islamic ideas, the interpretation of the contradictory structure of meanings in its outer and inner layers, the experience of transpersonal experiences, the definition of a hermeneutic model requires an ontological approach to the text. The analysis of the literary text was carried out on the basis of the criteria of Islamic interpretation (tanzih-tashbih, tanzih-takdis), which determine the level of the poet’s ontological thinking. It is known that the theoretical views of the thinkers of the Islamic world are expressed on the basis of such pairs as asl-far, zahir-botin, tanzih-tashbih, lafz-mano, nasr-nazm. The ontological approach to a literary text allows one to objectively interpret the content of the artistic perception of the Islamic form of thought, uniting parts of the text system. The article discusses the boundaries of imagination, the ontological worldview of Alisher Navoi, based on pairs of figurative symbols, such as dot and compass, dot and circle, marine environment and island, poetry (jam) and prose (parishon, oshufta, tafrika), notebook and leaf, sun and a particle of rays (or partav), a candle and a mother.
| Mualliflar | Тошниёзова Рано Тохировна |
|---|---|
| Jurnal | Алишер Навоий |
| Nashr sanasi | 2022-06-10 |
| Jild | 2 |
| Son | 2 |
| Til | O‘zbek |
озарение, онтологическая поэтика, исламская мысль, противоположные по смыслу символы, герменевтическая интерпретационная модель, insight, ontological poetics, Islamic thought, symbols opposite in meaning, hermeneutical interpretation model., tanzih-taqdis, ontologik poetika, islom tafakkuri, qarama-qarshi ma’noli timsollar, germenevtik talqin modeli
The article analyzes the principles of updating the traditions of the great poet and thinker Alisher Navai in the poetry of Zokirjon Furkat (1859-1909), a prominent representative of Uzbek literature of the period of…
The article discusses the importance of introductions for divans as an important and reliable source in the study of the life and work of poets, the introduction and its features. In particular, it is emphasized that…
The article talks about the creative skills and traditions of epic writers, who brought the stories about Layla and Majnun to literature in the form of epics. Before Alisher Navoi and Muhammad Fuzuli, there were many…
The traditions of the emergence and interpretation of the image of Majnun in Eastern classical literature cover long historical periods. No matter how complex its origins as an artistic image, its socio-philosophical…
Alisher Navoi’s contribution to the development of classical literature of the Turkic peoples is remarkable. The best creatures of Uzbek poet who has been honored as “Shams ul-millat”, alongside the works of the…
In this article, based on the principle of studying the work of Alisher Navoi with the help of his own interpretations, the sources of the poems included in the “Khamsa” by Alisher Navoi are explored. The thoughts of…
None of the artists of the current period would have read Alisher Navoi’s work and been inspired by it. Alisher Navoi’s style of writing has aroused great interest among today’s artists. In particular, this theme is…
The article presents information about the techniques of artistic art in the lyrics of the great thinker and poet Alisher Navai. A number of poems of the poet from his collection “Hazain almaani” (“Treasury of…
The article reflects the attitude of Gadoi, Sakkoki, Atoi, one of the most influential artists of Alisher Navoi, to the image of a lover in his poetry, the ideological content of his poems, his art and the poet’s…
The article discusses the achievements and shortcomings of the research conducted for the purpose of scientific study of Persian translations of the anthology by Alishir Navai. After the publication of the…