This article analyzes the process of demonization in The Picture of Dorian Gray by Oscar Wilde, focusing on the relationship between aestheticism, moral decline, and human duality. It examines how Dorian Gray’s transformation reflects the consequences of unchecked hedonism and the rejection of ethical values. Special attention is given to the symbolic role of the portrait as a representation of inner corruption and psychological conflict. The study argues that demonization functions as a complex expression of the tension between aesthetic ideals and moral responsibility.
| Mualliflar | Атабаева Зарнигор Бахран қизи |
|---|---|
| Jurnal | Journal of Word Art – Сўз санъати халқаро журнали – Международный журнал искусства слова |
| Nashr sanasi | 2026-06-30 |
| Jild | 9 |
| Son | 1 |
| Til | Ingliz |
демонизация, Дориан Грей, эстетизм, моральный упадок, двойственность, готическая литература, викторианское общество, гедонизм, идентичность, символизм., demonization, Dorian Gray, aestheticism, moral decline, duality, Gothic literature, Victorian society, hedonism, identity, symbolism, коммуникатив компетентлик, сунъий интеллект, инглиз тили, CALL, Ўзбекистон, ChatGPT, CEFR.
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