A large-scale field - linguopoetics was formed as a result of deepening and specialization of research on the direction of artistic style within the science of stylistics. The change of the stylistic scientific paradigm towards linguopoetics is characterized by the focus on the linguistic aspect of artistic images and means of expression. In order to determine the level of expressiveness of the artistic text, the issue of the individual approach to the use of phonetic, lexical, grammatical tools and fixed combinations of the language (including the author's occasionalisms), as well as language phenomena such as synonyms, antonyms, homonyms, paronyms, transposition of parts of sentences, and the artistic use of various types of syntactic units aesthetic possibilities are explored. The three- stage analysis was the first stage of understanding what is the unique feature of the artistic text, that it is not limited to its direct content, that it has a connotative content and that it should also be taken into analysis. However, the result of such an analysis is limited due to the limitations of this method and the lack of attention to the methods and level of researching the semantic and metasemiotic features of language units used in a specific artistic text. the way of expression, the linguistic foundations of the integrity of the composition, the issues of individual approach to the use of words are researched.
| Mualliflar | Умида Хушвактова |
|---|---|
| Jurnal | Journal of Word Art – Сўз санъати халқаро журнали – Международный журнал искусства слова |
| Nashr sanasi | 2024-09-27 |
| Jild | 7 |
| Son | 1 |
| Til | O‘zbek |
лингвопоэтика, лингвостилистика, художественны стиль, филологический анализ, способ выражения, речь повествователя, ретроспективный образ, linguopoetics, linguostylistics, artistic style, philological analysis, way of expression, narrator-character speech, retrospective image, лингвопоэтика, лингвостилистика, бадиий услуб, филологик таҳлил, ифода йўсини, ровий-персонаж нутқи, ретроспектив тасвир
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