This scientific article explores the practical and theoretical foundations of scoring background noises, particularly underwater scenes, in the field of cinema, television, and radio sound directing. The use of hydrophones, the acoustic properties of water, and the digital processing of recorded audio signals during post-production are analyzed through examples of films such as, "War of the Worlds", and "Finding Nemo". The article serves as an important methodological guide for university students studying audio engineering and future sound directors.
| Mualliflar | Islambek, Qdırbaev, Islambek, Qdırbaev, Islambek, Qdırbaev, Islambek, Qdırbaev |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2026-06-06 |
| Son | 2026 |
| Betlar | 123-125 |
| Til | kaa |
| DOI | 10.66900/zhed8r19 |
DOI: 10.66900/zhed8r19 · Maqolaning asl sahifasi
sound recording, sound design, hydrophone, underwater noises, background noise editing, cinema and television, audio engineering, dawıs jazıw, ses dizaynı, gidrofon, suw astı shawqımları, fon shawqınların montajlaw, kino hám televideniye, audio injiniring., звукозапись, саунд-дизайн, гидрофон, подводные шумы, монтаж фоновых шумов, кино и телевидение, аудиоинженерия., ovoz yozish, ovoz dizayni, gidrofon, suvosti shovqinlari, fon shovqinlarini montaj qilish, kino va televideniye, audio injiniring.
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