This article provides a scientific and theoretical analysis of the linguistic features of Karakalpak cinema art. The essence of film language and its structural components — visual, verbal, and nonverbal means — are examined. In addition, the application of film language in Karakalpak feature films, along with its achievements and shortcomings, is analyzed based on specific examples. As a result of the research, the main characteristics of film language, such as conciseness, clarity, and emotional expressiveness, are revealed. The article also substantiates the importance of screenplay mastery, visual expressive means, and the master-apprentice tradition in the development of film language.
| Mualliflar | Guljahan, Tajadinova, Guljahan, Tajadinova, Guljahan, Tajadinova, Guljahan, Tajadinova |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2026-06-06 |
| Son | 2026 |
| Betlar | 126-128 |
| Til | uz_Latn |
| DOI | 10.66900/x0hfc712 |
DOI: 10.66900/x0hfc712 · Maqolaning asl sahifasi
film language, cinematography, Karakalpak cinema art, visual elements, verbal means, nonverbal means, editing, shot, angle, dialogue, screenplay, artistic expression, emotional impact, film style, kino tili, kinematografiya, qaraqalpaq kino kórkem óneri, vizual elementler, verbal qurallar, noverbal qurallar, montaj, kadr, rakurs, dialog, scenariy, kórkem sóylew, emocionallıq tásir, film stili., язык кино, кинематография, каракалпакское киноискусство, визуальные элементы, вербальные средства, невербальные средства, монтаж, кадр, ракурс, диалог, сценарий, художественное выражение, эмоциональное воздействие, стиль фильма., kino tili, kinematografiya, qoraqalpoq kino san’ati, vizual elementlar, verbal vositalar, noverbal vositalar, montaj, kadr, rakurs, dialog, ssenariy, badiiy ifoda, emotsional ta’sir, film uslubi.
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