This scientific and practical article examines the complex architecture of the audiopost-production (sound processing) process in contemporary audiovisual art, particularly in featurefilms and interactive multimedia systems. The purpose of the work is to scientifically substantiatethe balance between technical standards and artistic creation in the field of sound production.
| Mualliflar | Islambek, Qdırbaev, Islambek, Qdırbaev, Islambek, Qdırbaev, Islambek, Qdırbaev |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2026-03-02 |
| Son | 2026 |
| Betlar | 110-112 |
| Til | kaa |
| DOI | 10.66900/rjz2b406 |
DOI: 10.66900/rjz2b406 · Maqolaning asl sahifasi
audio post-production, mixing, premix, interactive audio, game engine, psychoacoustics, mastering, dynamic range., audio post-prodakshn, mikserlew, premiks, interaktiv audio, oyın dvigateli, psixoakustika, mastering, dinamikalıq diapazon, аудио пост-продакшн, микширование, премикс, интерактивный аудио, игровой двигатель, психоакустика, мастерство, динамический диапазон., audio post-prodakshn, mikserlash, premiks, interaktiv audio, o‘yin dvigateli, psixoakustika, o‘zlashtirish, dinamik diapazon
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