This article analyzes the nature of the dramatic genre, its stage incarnation, and themechanisms of direct impact on the audience. It explores the ways of influencing the consciousnessand emotions of the public through the fundamental concepts of dramatic art, such as action, stagetruth, and the "super-objective." Based on the theoretical views of K.S. Stanislavsky and otherprominent theater figures, the social and artistic functions of drama are revealed.
| Mualliflar | Asliddin , О‘tayev, Asliddin , О‘tayev, Asliddin , О‘tayev, Asliddin , О‘tayev |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2026-03-02 |
| Son | 2026 |
| Betlar | 118-122 |
| Til | uz_Latn |
| DOI | 10.66900/ydmhs238 |
DOI: 10.66900/ydmhs238 · Maqolaning asl sahifasi
drama, action, super-objective, through-line of action, stage truth, experience (perezhivanie), belief, emotional contact, participant of the creative process, resonator, mass character., drama, háreket, joqarı maqset, jetekshi háreket, saxnalıq haqıyqat, tájiriybe, isenim, emocionallıq baylanıs, dóretiwshilik process qatnasıwshısı, rezonator, ǵalabalıq., драма, действие, сверхзадача, сквозное действие, сценическая правда, переживание, вера, эмоциональный контакт, участник творческого процесса, резонатор, массовость., drama, xatti-harakat, oliy maqsad, yetakchi xatti-harakat, sahnaviy haqiqat, kechinma, ishonch, emotsional aloqa, ijodiy jarayon ishtirokchisi, rezonator, ommaviylik.
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