This article provides a scholarly and theoretical analysis of the historical development of the compositional school formed in the Fergana – Tashkent region, its creative features, and performance traditions. It also examines musical works created specifically for female vocalists as a distinct area, analyzing their vocal characteristics and highlighting their role in national musical art.
| Mualliflar | Bazarbay , Nazarımbetov, Bazarbay , Nazarımbetov, Bazarbay , Nazarımbetov, Bazarbay , Nazarımbetov |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2026-06-06 |
| Son | 2026 |
| Betlar | 67-68 |
| Til | uz_Latn |
| DOI | 10.66900/wxf4mv39 |
DOI: 10.66900/wxf4mv39 · Maqolaning asl sahifasi
composition, Fergana – Tashkent style, performance school, vocal art, national composition, professional music, nola, qochirim, orchestra., kompozitorlıq, Fergana-Tashkent usılı, atqarıw mektebi, qosıqshılıq, milliy kompozitorlıq, professional muzıka, nala, qosıq, orkestr, композиторское творчество, Фергано-Ташкентский стиль, исполнительская школа, вокальное искусство, национальное композиторство, профессиональная музыка, нола, кочирим, оркестр, bastakorlik, Farg‘ona–Toshkent uslubi, ijro maktabi, xonandalik, milliy bastakorlik, professional musiqa, nola, qochirim, orkestr
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