FARG‘ONA-TOSHKENT BASTAKORLIK MAKTABI: AN’ANA, IJROCHILIK VA AYOL XONANDALIK SAN’ATI TAHLILI

Bazarbay , Nazarımbetov, Bazarbay , Nazarımbetov, Bazarbay , Nazarımbetov, Bazarbay , Nazarımbetov

Санъат ва маданият Ахборотномаси · 2026-yil

Annotatsiya

This article provides a scholarly and theoretical analysis of the historical development of the compositional school formed in the Fergana – Tashkent region, its creative features, and performance traditions. It also examines musical works created specifically for female vocalists as a distinct area, analyzing their vocal characteristics and highlighting their role in national musical art.

Maqola ma’lumotlari
MualliflarBazarbay , Nazarımbetov, Bazarbay , Nazarımbetov, Bazarbay , Nazarımbetov, Bazarbay , Nazarımbetov
JurnalСанъат ва маданият Ахборотномаси
Nashr sanasi2026-06-06
Son2026
Betlar67-68
Tiluz_Latn
DOI10.66900/wxf4mv39

Kalit so‘zlar

composition, Fergana – Tashkent style, performance school, vocal art, national composition, professional music, nola, qochirim, orchestra., kompozitorlıq, Fergana-Tashkent usılı, atqarıw mektebi, qosıqshılıq, milliy kompozitorlıq, professional muzıka, nala, qosıq, orkestr, композиторское творчество, Фергано-Ташкентский стиль, исполнительская школа, вокальное искусство, национальное композиторство, профессиональная музыка, нола, кочирим, оркестр, bastakorlik, Farg‘ona–Toshkent uslubi, ijro maktabi, xonandalik, milliy bastakorlik, professional musiqa, nola, qochirim, orkestr

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