This article examines the history of the development of Uzbek cinema and film acting,its unique features, and its alignment with the times. It discusses the art of film acting and its mastery,emphasizing the importance of an actor’s ability to express emotions and movements in front of the camera,as well as the significance of feeling the “salobat of the camera”. The article also specifically addresses K.S.Stanislavski’s acting method and its influence on cinema. Additionally, the article reflects on the actor’spreparation for a role, the importance of both internal and external preparation, and the necessity ofpossessing specific details and specialized knowledge related to the profession. The differences betweentheater and cinema, the process of working on a role, and the correctness of its execution are also explored indepth.
| Mualliflar | Eldor , Xushvaqtov, Eldor , Xushvaqtov, Eldor , Xushvaqtov, Eldor , Xushvaqtov |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2025-06-02 |
| Son | 2025 |
| Betlar | 65-67 |
| Til | uz_Latn |
| DOI | 10.66900/nfga6756 |
DOI: 10.66900/nfga6756 · Maqolaning asl sahifasi
uzbek cinema, film acting, acting mastery, acting school, camera, emotions, movement, camera authority, K.S.Stanislavski, actor preparation, internal and external preparation, specialized knowledge, differences between theater and cinema, role, role performance., ózbek kino kórkem óneri, kino aktyorligi, aktyorlik sheberligi, aktyorlik mektebi, kamera, sezimler, háreketler, kamera sawlatı, K.S.Stanislavskiy, aktyor tayarlıǵı, ishki hám sırtqı tayarlıq, arnawlı bilimler, teatr hám kino ayırmashılıqları, rol, roldi atqarıw., узбекский кинематограф, киноактёрство, актёрское мастерство, школа актёров, камера, эмоции, движение, К.С.Станиславский, подготовка актёра, внутренняя и внешняя подготовка, специальные знания, различия между театром и кино, роль, исполнение роли., o‘zbek kino san’ati, kino aktyorligi, aktyorlik mahorati, aktyorlik maktabi, kamera, hissiyotlar, harakatlar, kamera salobati, K.S.Stanislavski, aktyor tayyorgarligi, ichki va tashqi tayyorgarlik, maxsus bilimlar, teatr va kino farqlari, rol, rolni ijro etish.
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