Talaba – aktyorning kamera oldida ishlash jarayonidagi muammolar

Eldor , Xushvaqtov, Eldor , Xushvaqtov, Eldor , Xushvaqtov, Eldor , Xushvaqtov

Санъат ва маданият Ахборотномаси · 2025-yil

Annotatsiya

This article examines the history of the development of Uzbek cinema and film acting,its unique features, and its alignment with the times. It discusses the art of film acting and its mastery,emphasizing the importance of an actor’s ability to express emotions and movements in front of the camera,as well as the significance of feeling the “salobat of the camera”. The article also specifically addresses K.S.Stanislavski’s acting method and its influence on cinema. Additionally, the article reflects on the actor’spreparation for a role, the importance of both internal and external preparation, and the necessity ofpossessing specific details and specialized knowledge related to the profession. The differences betweentheater and cinema, the process of working on a role, and the correctness of its execution are also explored indepth.

Maqola ma’lumotlari
MualliflarEldor , Xushvaqtov, Eldor , Xushvaqtov, Eldor , Xushvaqtov, Eldor , Xushvaqtov
JurnalСанъат ва маданият Ахборотномаси
NashriyotЎзбекистон давлат санъат ва маданият институти Нукус филиали
ISSN1880-1940
Nashr sanasi2025-06-02
Son2025
Betlar65-67
TilO‘zbek
Ilmiy sohaSan’atshunoslik
DOI10.66900/nfga6756
Indeksga qo‘shilgan2026-08-26

DOI: 10.66900/nfga6756 · Maqolaning asl sahifasi

Kalit so‘zlar

uzbek cinema, film acting, acting mastery, acting school, camera, emotions, movement, camera authority, K.S.Stanislavski, actor preparation, internal and external preparation, specialized knowledge, differences between theater and cinema, role, role performance., ózbek kino kórkem óneri, kino aktyorligi, aktyorlik sheberligi, aktyorlik mektebi, kamera, sezimler, háreketler, kamera sawlatı, K.S.Stanislavskiy, aktyor tayarlıǵı, ishki hám sırtqı tayarlıq, arnawlı bilimler, teatr hám kino ayırmashılıqları, rol, roldi atqarıw., узбекский кинематограф, киноактёрство, актёрское мастерство, школа актёров, камера, эмоции, движение, К.С.Станиславский, подготовка актёра, внутренняя и внешняя подготовка, специальные знания, различия между театром и кино, роль, исполнение роли., o‘zbek kino san’ati, kino aktyorligi, aktyorlik mahorati, aktyorlik maktabi, kamera, hissiyotlar, harakatlar, kamera salobati, K.S.Stanislavski, aktyor tayyorgarligi, ichki va tashqi tayyorgarlik, maxsus bilimlar, teatr va kino farqlari, rol, rolni ijro etish.

Ilmiy soha

San’atshunoslik

Iqtibos keltirish

APAEldor , Xushvaqtov, Eldor , Xushvaqtov, Eldor , Xushvaqtov, & Eldor , Xushvaqtov (2025). TALABA – AKTYORNING KAMERA OLDIDA ISHLASH JARAYONIDAGI MUAMMOLAR. Санъат ва маданият Ахборотномаси, (2025), 65-67. https://doi.org/10.66900/nfga6756
GOST (OAK)Eldor , Xushvaqtov va b. TALABA – AKTYORNING KAMERA OLDIDA ISHLASH JARAYONIDAGI MUAMMOLAR // Санъат ва маданият Ахборотномаси. – 2025. – № 2025. – B. 65-67. – DOI: 10.66900/nfga6756.
MLAEldor , Xushvaqtov, Eldor , Xushvaqtov, Eldor , Xushvaqtov, and Eldor , Xushvaqtov. “TALABA – AKTYORNING KAMERA OLDIDA ISHLASH JARAYONIDAGI MUAMMOLAR.” Санъат ва маданият Ахборотномаси, (2025), 65-67, 2025. https://doi.org/10.66900/nfga6756
ChicagoEldor , Xushvaqtov, Eldor , Xushvaqtov, Eldor , Xushvaqtov, and Eldor , Xushvaqtov. “TALABA – AKTYORNING KAMERA OLDIDA ISHLASH JARAYONIDAGI MUAMMOLAR.” Санъат ва маданият Ахборотномаси, (2025), 65-67 (2025). https://doi.org/10.66900/nfga6756
HarvardEldor , Xushvaqtov, Eldor , Xushvaqtov, Eldor , Xushvaqtov, and Eldor , Xushvaqtov (2025) ‘TALABA – AKTYORNING KAMERA OLDIDA ISHLASH JARAYONIDAGI MUAMMOLAR’, Санъат ва маданият Ахборотномаси, (2025), 65-67. https://doi.org/10.66900/nfga6756
BibTeX
@article{eldorxushvaqtov2025,
  title = {TALABA – AKTYORNING KAMERA OLDIDA ISHLASH JARAYONIDAGI MUAMMOLAR},
  author = {Eldor , Xushvaqtov and Eldor , Xushvaqtov and Eldor , Xushvaqtov and Eldor , Xushvaqtov},
  journal = {Санъат ва маданият Ахборотномаси},
  year = {2025},
  number = {2025},
  pages = {65-67},
  doi = {10.66900/nfga6756},
  url = {https://doi.org/10.66900/nfga6756}
}

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