Documentary film is a form of audiovisual art that focuses on depicting real events andtruth, and its success is often linked to the high-level performance of sound design. Sound designers indocumentary films create opportunities for a more vivid experience of the visuals, allowing deepercommunication of events and situations to the audience. Atmospheric sounds, the role of music, foleyeffects, and dubbing are essential components of sound design, aiding in the accurate portrayal of reality andenhancing emotional impact. This article discusses the technical and artistic aspects of sound design indocumentary films, its influence on expressing events within the film, and the psychological and artisticinteraction with the audience.
| Mualliflar | Manas , Abdreymov, Manas , Abdreymov, Manas , Abdreymov, Manas , Abdreymov |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashriyot | Ўзбекистон давлат санъат ва маданият институти Нукус филиали |
| ISSN | 1880-1940 |
| Nashr sanasi | 2025-06-02 |
| Son | 2025 |
| Betlar | 53-56 |
| Til | kaa |
| Ilmiy soha | San’atshunoslik |
| DOI | 10.66900/gw2m6b23 |
| Indeksga qo‘shilgan | 2026-08-26 |
DOI: 10.66900/gw2m6b23 · Maqolaning asl sahifasi
documentary film, sound design, atmospheric sounds, role of music, foley, dubbing, audiovisual art, editing, sound effects, emotional impact., hújjetli film, ses rejissyorlıǵı, atmosferalıq sesler, muzıkanıń roli, foley, dublyaj, audiovizual kórkem óner, montaj, ses effektleri, sezim tásiri., документальное кино, звукорежиссура, атмосферные звуки, роль музыки, фоли, дубляж, аудиовизуальное искусство, монтаж, звуковые эффекты, эмоциональное воздействие, hujjatli film, ovoz rejissyorligi, atmosferik tovushlar, musiqaning roli, foley, dubbing, audiovizual san’at, montaj, ovoz effektlari, hissiy ta’sir.
| APA | Manas , Abdreymov, Manas , Abdreymov, Manas , Abdreymov, & Manas , Abdreymov (2025). HUJJATLI FILMLARDA OVOZ REJISSYORLIGI: TEXNIKA, SAN’AT VA HAQIQATNI IFODALASH. Санъат ва маданият Ахборотномаси, (2025), 53-56. https://doi.org/10.66900/gw2m6b23 |
|---|---|
| GOST (OAK) | Manas , Abdreymov va b. HUJJATLI FILMLARDA OVOZ REJISSYORLIGI: TEXNIKA, SAN’AT VA HAQIQATNI IFODALASH // Санъат ва маданият Ахборотномаси. – 2025. – № 2025. – B. 53-56. – DOI: 10.66900/gw2m6b23. |
| MLA | Manas , Abdreymov, Manas , Abdreymov, Manas , Abdreymov, and Manas , Abdreymov. “HUJJATLI FILMLARDA OVOZ REJISSYORLIGI: TEXNIKA, SAN’AT VA HAQIQATNI IFODALASH.” Санъат ва маданият Ахборотномаси, (2025), 53-56, 2025. https://doi.org/10.66900/gw2m6b23 |
| Chicago | Manas , Abdreymov, Manas , Abdreymov, Manas , Abdreymov, and Manas , Abdreymov. “HUJJATLI FILMLARDA OVOZ REJISSYORLIGI: TEXNIKA, SAN’AT VA HAQIQATNI IFODALASH.” Санъат ва маданият Ахборотномаси, (2025), 53-56 (2025). https://doi.org/10.66900/gw2m6b23 |
| Harvard | Manas , Abdreymov, Manas , Abdreymov, Manas , Abdreymov, and Manas , Abdreymov (2025) ‘HUJJATLI FILMLARDA OVOZ REJISSYORLIGI: TEXNIKA, SAN’AT VA HAQIQATNI IFODALASH’, Санъат ва маданият Ахборотномаси, (2025), 53-56. https://doi.org/10.66900/gw2m6b23 |
| BibTeX | @article{manasabdreymov2025,
title = {HUJJATLI FILMLARDA OVOZ REJISSYORLIGI: TEXNIKA, SAN’AT VA HAQIQATNI IFODALASH},
author = {Manas , Abdreymov and Manas , Abdreymov and Manas , Abdreymov and Manas , Abdreymov},
journal = {Санъат ва маданият Ахборотномаси},
year = {2025},
number = {2025},
pages = {53-56},
doi = {10.66900/gw2m6b23},
url = {https://doi.org/10.66900/gw2m6b23}
} |
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