The article analyzes the development of cinematographic styles in Uzbek feature filmsthrough the example of the subjective camera. I. Lutfullayevʼs visual styles are examined from an art studiesperspective, exploring their dramaturgical function, expressive potential, and system of visual imagery.
| Mualliflar | Otajon, Dostonov, Otajon, Dostonov, Otajon, Dostonov, Otajon, Dostonov |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2025-06-02 |
| Son | 2025 |
| Betlar | 60-65 |
| Til | uz_Latn |
| DOI | 10.66900/7ep2zn41 |
DOI: 10.66900/7ep2zn41 · Maqolaning asl sahifasi
cinematography, technological progress, digital technologies, image a esthetics, expressive tools, traditional and modern approach., kinoperatorlıq, texnologiyalıq rawajlanıw, sanlı texnologiyalar, súwret estetikası, súwretlew quralları, dástúriy hám zamanagóy qatnas., кинооператорское искусство, технологический прогресс, цифровые технологии, эстетика изображения, выразительные средства, традиционный и современный подход., kinooperatorlik, texnologik taraqqiyot, raqamli texnologiyalar, tasvir estetikasi, ifoda vositalari, an’anaviy va zamonaviy yondashuv.
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