This article analyzes the early experimental research in Uzbek cinema based on video imaging technology, particularly the experiments conducted using an analog video camera. It explores the technical and emotional solutions encountered during the filming process, emphasizing the shifts in cinematographic expression and staging that emerged during the transition to digital technologies.
| Mualliflar | B.Y.Turobov, Turobov, B.Y.Turobov, Turobov, B.Y.Turobov, Turobov, B.Y.Turobov, Turobov |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2025-09-03 |
| Son | 2025 |
| Betlar | 71-74 |
| Til | uz_Latn |
| DOI | 10.66900/n6qexr17 |
DOI: 10.66900/n6qexr17 · Maqolaning asl sahifasi
Uzbek cinema, video imaging technology, analog camera, National Panasonic NV-M5, experimental research, visual composition, cinematography (or: art of camerawork),VHS format, technical and emotional solution, узбекское кино, видеотехнология изображения, аналоговая камера, National Panasonic NV-M5, экспериментальные исследования, визуальная композиция, операторское искусство, формат VHS, техническо-эмоциональное решение, o‘zbek kinosi, video tasvir texnologiyasi, analog kamera, National Panasonic NV- M5, eksperimental izlanish, visual kompozitsiya, operatorlik san’ati, VHS format, texnik-hissiy yechim
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